Made first for young men 1
Spider-Man: Into the Spider-Verse's audience scores lean most toward young men at 98 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. As an adaptation it scores 83 of 100 for faithfulness, a closely faithful treatment of its source material 3. On content balance it reads entertainment-first at 16 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreyoung men 98 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3FaithfulnessFaithfulness 83 of 100 — a closely faithful adaptation.WhatSphere faithfulness checklist, score_version 1
- 4Content balanceContent balance entertainment-first at 16 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Struggling to find his place in the world while juggling school and family, Brooklyn teenager Miles Morales is unexpectedly bitten by a radioactive spider and develops unfathomable powers just like the one and only Spider-Man.
Age: 21 — strongly youth-oriented
Quadrant Scores
Audience Representation
Where to Watch (US)
Netflix
Netflix Standard with Ads
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
FlixFling
Spectrum On Demand
PlexAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSource Material
| Title | Author | Type | Year | Purchase link |
|---|---|---|---|---|
| Ultimate Comics: Spider-Man (Miles Morales) | Brian Michael Bendis, Sara Pichelli | comic | 2011 |
What did the audience think? Rate Spider-Man: Into the Spider-Verse — every voice counts equally, no account needed. Clean reviews appear instantly.
What Changed from the Source
The production decisions behind this adaptation, as recorded — original versus on screen.
Source faithfulness: 83/100
- Doc Ock / Olivia Octavius · Kathryn Hahnmalegender-swappednone
Put its audience profile side by side with any other title.
Advocacy Over Time in Animation
The average advocacy score of Animation titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1951 | 0 | 2 |
| 1952 | 0 | 2 |
| 1957 | 0 | 2 |
| 1967 | 0 | 2 |
| 1970 | 4 | 2 |
| 1977 | 0 | 3 |
| 1978 | 0 | 3 |
| 1979 | 0 | 2 |
| 1981 | 0 | 2 |
| 1982 | 0 | 2 |
| 1983 | 1 | 4 |
| 1984 | 0 | 2 |
| 1985 | 0 | 2 |
| 1986 | 0 | 12 |
| 1987 | 0 | 4 |
| 1988 | 2 | 7 |
| 1989 | 4 | 4 |
| 1990 | 0 | 3 |
| 1991 | 0 | 6 |
| 1992 | 1 | 3 |
| 1993 | 0 | 5 |
| 1994 | 1 | 3 |
| 1995 | 1 | 5 |
| 1996 | 2 | 4 |
| 1997 | 3 | 8 |
| 1998 | 0 | 3 |
| 1999 | 2 | 13 |
| 2000 | 1 | 8 |
| 2001 | 2 | 9 |
| 2002 | 1 | 8 |
| 2003 | 1 | 8 |
| 2004 | 2 | 12 |
| 2005 | 2 | 9 |
| 2006 | 0 | 13 |
| 2007 | 0 | 11 |
| 2008 | 2 | 8 |
| 2009 | 2 | 5 |
| 2010 | 2 | 6 |
| 2011 | 0 | 4 |
| 2012 | 1 | 3 |
| 2013 | 3 | 11 |
| 2014 | 4 | 6 |
| 2015 | 3 | 4 |
| 2016 | 4 | 6 |
| 2017 | 2 | 6 |
| 2018 | 5 | 7 |
| 2019 | 4 | 9 |
| 2020 | 4 | 8 |
| 2021 | 6 | 9 |
| 2022 | 7 | 11 |
| 2023 | 20 | 8 |
| 2024 | 8 | 9 |
| 2025 | 1 | 8 |
| 2026 | 0 | 4 |
| This title (2018) | 16 | 1 |
● This title (2018): advocacy 16 · explore Animation →
Cast & Crew
Peter Ramsey (director) · Bob Persichetti (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Featured in Our Analysis
Related Titles
