Scored entertainment-first on WhatSphere's content-balance model 4
Its director stated on the record that "i don't think it's a message movie, Any alignment with movements like Me Too and Times Up was purely luck of the draw, It's about character revelation, period" 1. Its director stated on the record that "i don't think you would ever catch me saying that [it's feminist] because that makes it sound like it has an agenda, Having strong women characters hasn't chan…" 2. Its narrative-universality assessment registers 8 of 10 3. Taken together, the content-balance model places it entertainment-first at 10 of 100 4. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for mixed-heritage and White and below it for Hispanic 5.
- 1Creator statementdirector: "I don't think it's a message movie. Any alignment with movements like Me Too and Times Up was purely luck of the draw. It's about character revelation, period."Variety, 2018 source ↗
- 2Creator statementdirector: "I don't think you would ever catch me saying that [it's feminist] because that makes it sound like it has an agenda. Having strong women characters hasn't changed. I had the idea for Elastigirl to ge…"Hello Giggles, 2018 source ↗
- 3Narrative universalityNarrative universality 8 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 8/10 -> advocacy signal 22
- 4Content balanceAdvocacy 10 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 8/10 -> advocacy signal 22
- 5RepresentationRepresentation vs production-origin baseline: mixed-heritage 77, White 67, Hispanic 28.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 16 — strongly youth-oriented
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Synopsis
Elastigirl springs into action to save the day, while Mr. Incredible faces his greatest challenge yet – taking care of the problems of his three children.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Action
The average advocacy score of Action titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1964 | 3 | 2 |
| 1965 | 4 | 3 |
| 1966 | 0 | 4 |
| 1968 | 2 | 2 |
| 1970 | 0 | 2 |
| 1971 | 0 | 4 |
| 1972 | 3 | 2 |
| 1973 | 2 | 9 |
| 1975 | 0 | 3 |
| 1977 | 4 | 2 |
| 1979 | 2 | 3 |
| 1980 | 4 | 5 |
| 1981 | 4 | 3 |
| 1982 | 1 | 5 |
| 1983 | 3 | 7 |
| 1984 | 4 | 11 |
| 1985 | 2 | 7 |
| 1986 | 2 | 10 |
| 1987 | 2 | 14 |
| 1988 | 1 | 4 |
| 1989 | 1 | 10 |
| 1990 | 1 | 5 |
| 1991 | 1 | 9 |
| 1992 | 2 | 8 |
| 1993 | 2 | 11 |
| 1994 | 2 | 14 |
| 1995 | 3 | 11 |
| 1996 | 1 | 9 |
| 1997 | 4 | 13 |
| 1998 | 2 | 10 |
| 1999 | 3 | 13 |
| 2000 | 1 | 11 |
| 2001 | 2 | 20 |
| 2002 | 3 | 17 |
| 2003 | 4 | 14 |
| 2004 | 3 | 19 |
| 2005 | 4 | 18 |
| 2006 | 3 | 23 |
| 2007 | 3 | 18 |
| 2008 | 3 | 22 |
| 2009 | 4 | 9 |
| 2010 | 7 | 8 |
| 2011 | 5 | 12 |
| 2012 | 9 | 10 |
| 2013 | 7 | 16 |
| 2014 | 10 | 9 |
| 2015 | 10 | 16 |
| 2016 | 20 | 9 |
| 2017 | 14 | 17 |
| 2018 | 15 | 20 |
| 2019 | 16 | 18 |
| 2020 | 14 | 13 |
| 2021 | 14 | 25 |
| 2022 | 20 | 32 |
| 2023 | 17 | 25 |
| 2024 | 12 | 32 |
| 2025 | 5 | 35 |
| 2026 | 5 | 30 |
| This title (2018) | 10 | 1 |
● This title (2018): advocacy 10 · explore Action →
Cast & Crew
Erik Smitt (director) · Travis Hathaway (director)