Scored entertainment-first on WhatSphere's content-balance model 5
Its director stated on the record that "we didn't write this sort of from outside or agenda in, we wrote it from character out, But the characters are growing up, and they're confronting a changing w…" 1. Its actor stated on the record that "i love that there's a character of color in this world of Arendelle, For such a long time black folks have had to wonder, what would it be like to have someone…" 2. Saami Council is documented as involved through consulting 3. International Sámi Film Institute is documented as involved through consulting 4. Taken together, the content-balance model places it entertainment-first at 11 of 100 5. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Hispanic and Black 6.
- 1Creator statementdirector: "We didn't write this sort of from outside or agenda in, we wrote it from character out. But the characters are growing up, and they're confronting a changing world."Screen Rant, November 2019 source ↗
- 2Creator statementactor: "I love that there's a character of color in this world of Arendelle. For such a long time black folks have had to wonder, what would it be like to have someone like me in this show."Variety Actors on Actors, November 2019 source ↗
- 3Advocacy orgSaami Council involved via consulting; evidence type press_release.Saami Council (advocacy group) source ↗
- 4Advocacy orgInternational Sámi Film Institute involved via consulting; evidence type press_release.International Sámi Film Institute (advocacy group) source ↗
- 5Content balanceAdvocacy 11 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1
- 6RepresentationRepresentation vs production-origin baseline: White 73, Hispanic 28, Black 30.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom.
Age: 20 — strongly youth-oriented
Quadrant Scores
Audience Representation
Where to Watch (US)
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Put its audience profile side by side with any other title.
Advocacy Over Time in Family
The average advocacy score of Family titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1940 | 0 | 2 |
| 1944 | 0 | 2 |
| 1951 | 0 | 2 |
| 1959 | 0 | 2 |
| 1965 | 0 | 2 |
| 1969 | 0 | 2 |
| 1973 | 0 | 3 |
| 1974 | 0 | 2 |
| 1975 | 0 | 2 |
| 1977 | 0 | 3 |
| 1981 | 0 | 2 |
| 1982 | 0 | 3 |
| 1983 | 1 | 5 |
| 1984 | 3 | 2 |
| 1985 | 0 | 3 |
| 1986 | 0 | 8 |
| 1987 | 0 | 5 |
| 1988 | 1 | 5 |
| 1989 | 2 | 8 |
| 1990 | 0 | 8 |
| 1991 | 1 | 5 |
| 1992 | 1 | 6 |
| 1993 | 0 | 9 |
| 1994 | 1 | 8 |
| 1995 | 2 | 4 |
| 1996 | 3 | 5 |
| 1997 | 0 | 7 |
| 1998 | 0 | 4 |
| 1999 | 1 | 10 |
| 2000 | 1 | 5 |
| 2001 | 2 | 10 |
| 2002 | 1 | 10 |
| 2003 | 1 | 12 |
| 2004 | 0 | 8 |
| 2005 | 1 | 13 |
| 2006 | 1 | 15 |
| 2007 | 0 | 14 |
| 2008 | 2 | 9 |
| 2009 | 2 | 5 |
| 2010 | 4 | 4 |
| 2011 | 3 | 4 |
| 2013 | 6 | 4 |
| 2015 | 4 | 2 |
| 2016 | 8 | 4 |
| 2017 | 12 | 5 |
| 2019 | 14 | 7 |
| 2020 | 5 | 8 |
| 2021 | 5 | 6 |
| 2022 | 16 | 6 |
| 2023 | 25 | 9 |
| 2024 | 5 | 12 |
| 2025 | 6 | 11 |
| 2026 | 0 | 6 |
| This title (2019) | 11 | 1 |
● This title (2019): advocacy 11 · explore Family →
Cast & Crew
Chris Buck (director) · Jamie Sparer Roberts (director)
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