Scored entertainment-first on WhatSphere's content-balance model 4
Its director stated on the record that "i love action and comedy, I feel like it's so important to have a message and to have so much heart underneath stories, For me, I want audiences to watch the m…" 1. Its director stated on the record that "animation is for everybody, It is filmmaking, We're not going, 'What'll make a kid laugh' We're going, 'What makes us laugh'" 2. Its director stated on the record that "this is essentially a story about a superhero who discovers his vulnerability and how vulnerability can actually be a true strength" 3. Taken together, the content-balance model places it entertainment-first at 9 of 100 4.
- 1Creator statementdirector: "I love action and comedy. I feel like it's so important to have a message and to have so much heart underneath stories. For me, I want audiences to watch the movie because the entertainment grabs the…"SlashFilm, December 2022 source ↗
- 2Creator statementdirector: "Animation is for everybody. It is filmmaking. We're not going, 'What'll make a kid laugh?' We're going, 'What makes us laugh?'"Academy Newsletter, January 2023 source ↗
- 3Creator statementdirector: "This is essentially a story about a superhero who discovers his vulnerability and how vulnerability can actually be a true strength."Academy Newsletter, January 2023 source ↗
- 4Content balanceAdvocacy 9 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Puss in Boots discovers that his passion for adventure has taken its toll: He has burned through eight of his nine lives, leaving him with only one life left. Puss sets out on an epic journey to find the mythical Last Wish and restore his nine lives.
Age: 21 — strongly youth-oriented
Quadrant Scores
Audience Representation
Where to Watch (US)
Peacock Premium
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Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At HomeAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeWhat did the audience think? Rate Puss in Boots: The Last Wish — every voice counts equally, no account needed. Clean reviews appear instantly.
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Advocacy Over Time in Animation
The average advocacy score of Animation titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1951 | 0 | 2 |
| 1952 | 0 | 2 |
| 1957 | 0 | 2 |
| 1967 | 0 | 2 |
| 1970 | 4 | 2 |
| 1977 | 0 | 3 |
| 1978 | 0 | 3 |
| 1979 | 0 | 2 |
| 1981 | 0 | 2 |
| 1982 | 0 | 2 |
| 1983 | 1 | 4 |
| 1984 | 0 | 2 |
| 1985 | 0 | 2 |
| 1986 | 0 | 12 |
| 1987 | 0 | 4 |
| 1988 | 2 | 7 |
| 1989 | 4 | 4 |
| 1990 | 0 | 3 |
| 1991 | 0 | 6 |
| 1992 | 3 | 3 |
| 1993 | 0 | 5 |
| 1994 | 1 | 3 |
| 1995 | 1 | 5 |
| 1996 | 3 | 4 |
| 1997 | 3 | 8 |
| 1998 | 0 | 3 |
| 1999 | 2 | 13 |
| 2000 | 2 | 8 |
| 2001 | 2 | 9 |
| 2002 | 1 | 8 |
| 2003 | 1 | 8 |
| 2004 | 2 | 12 |
| 2005 | 2 | 9 |
| 2006 | 0 | 13 |
| 2007 | 0 | 11 |
| 2008 | 2 | 8 |
| 2009 | 2 | 5 |
| 2010 | 2 | 6 |
| 2011 | 0 | 4 |
| 2012 | 1 | 3 |
| 2013 | 3 | 11 |
| 2014 | 5 | 6 |
| 2015 | 4 | 4 |
| 2016 | 4 | 6 |
| 2017 | 2 | 6 |
| 2018 | 5 | 7 |
| 2019 | 6 | 9 |
| 2020 | 4 | 8 |
| 2021 | 6 | 9 |
| 2022 | 10 | 11 |
| 2023 | 22 | 8 |
| 2024 | 7 | 10 |
| 2025 | 5 | 13 |
| 2026 | 0 | 5 |
| This title (2022) | 9 | 1 |
● This title (2022): advocacy 9 · explore Animation →
Cast & Crew
Januel Mercado (director) · Joel Crawford (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
