Made first for young men 1
Shrek the Third's audience scores lean most toward young men at 94 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for mixed-heritage and below it for Hispanic 3. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreyoung men 94 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: mixed-heritage 73, Hispanic 33.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
Age: 15 — strongly youth-oriented
Quadrant Scores
Audience Representation
Where to Watch (US)
Amazon Prime Video
Peacock Premium
Amazon Prime Video with Ads
Peacock Premium Plus
Amazon Video
Apple TV Store
Google Play Movies
YouTube
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Advocacy Over Time in Fantasy
The average advocacy score of Fantasy titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1940 | 0 | 2 |
| 1970 | 0 | 2 |
| 1977 | 0 | 2 |
| 1978 | 0 | 2 |
| 1982 | 0 | 2 |
| 1984 | 1 | 6 |
| 1985 | 0 | 2 |
| 1986 | 0 | 3 |
| 1987 | 0 | 5 |
| 1988 | 1 | 5 |
| 1989 | 3 | 2 |
| 1990 | 0 | 5 |
| 1991 | 1 | 4 |
| 1992 | 3 | 4 |
| 1993 | 0 | 3 |
| 1994 | 2 | 5 |
| 1995 | 0 | 4 |
| 1996 | 0 | 2 |
| 1997 | 2 | 3 |
| 1998 | 2 | 6 |
| 1999 | 1 | 6 |
| 2000 | 0 | 4 |
| 2001 | 4 | 9 |
| 2002 | 2 | 2 |
| 2003 | 1 | 7 |
| 2004 | 5 | 6 |
| 2005 | 0 | 7 |
| 2006 | 1 | 8 |
| 2007 | 0 | 8 |
| 2008 | 4 | 7 |
| 2009 | 2 | 4 |
| 2010 | 5 | 3 |
| 2011 | 3 | 4 |
| 2013 | 7 | 5 |
| 2014 | 2 | 2 |
| 2016 | 10 | 6 |
| 2017 | 8 | 6 |
| 2018 | 6 | 3 |
| 2019 | 9 | 11 |
| 2020 | 7 | 3 |
| 2021 | 6 | 8 |
| 2022 | 13 | 15 |
| 2023 | 20 | 10 |
| 2024 | 5 | 6 |
| 2025 | 0 | 11 |
| 2026 | 17 | 3 |
| This title (2007) | 0 | 1 |
● This title (2007): advocacy 0 · explore Fantasy →
Cast & Crew
Raman Hui Shing-Ngai (director) · Chris Miller (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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