Scored entertainment-first on WhatSphere's content-balance model 3
Its manga creator / chief supervisor stated on the record that "i always wanted to include a chapter about All Might's past, or rather, I thought that I definitely need to write about his past, This movie was a great opport…" 1. Its manga creator / chief supervisor stated on the record that "i wanted Deku to really try his all in the story and wanted people unfamiliar with My Hero Academia to enjoy the movie, and since it's a movie, I wanted to let…" 2. Taken together, the content-balance model places it entertainment-first at 6 of 100 3.
- 1Creator statementmanga creator / chief supervisor: "I always wanted to include a chapter about All Might's past, or rather, I thought that I definitely need to write about his past. This movie was a great opportunity to show young All Might studying a…"Toho Cinema T. Magazine, August 2018 (via Newsweek) source ↗
- 2Creator statementmanga creator / chief supervisor: "I wanted Deku to really try his all in the story and wanted people unfamiliar with My Hero Academia to enjoy the movie, and since it's a movie, I wanted to let Deku and the others go to a different l…"Toho Cinema T. Magazine, August 2018 (translated by @aitaikimochi) source ↗
- 3Content balanceAdvocacy 6 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
All Might and Deku accept an invitation to go abroad to a floating and mobile manmade city, called 'I-Island', where they research quirks as well as hero supplemental items at the special 'I-Expo' convention that is currently being held on the island. During that time, suddenly, despite an iron wall of security surrounding the island, the system is breached by a villain, and the only ones able to stop him are the students of Class 1-A.
Age: 44 — leans younger
Quadrant Scores
Audience Representation
Where to Watch (US)
Crunchyroll
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Apple TV Store
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YouTube
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Advocacy Over Time in Animation
The average advocacy score of Animation titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1951 | 0 | 2 |
| 1952 | 0 | 2 |
| 1957 | 0 | 2 |
| 1967 | 0 | 2 |
| 1970 | 4 | 2 |
| 1977 | 0 | 3 |
| 1978 | 0 | 3 |
| 1979 | 0 | 2 |
| 1981 | 0 | 2 |
| 1982 | 0 | 2 |
| 1983 | 1 | 4 |
| 1984 | 0 | 2 |
| 1985 | 0 | 2 |
| 1986 | 0 | 12 |
| 1987 | 0 | 4 |
| 1988 | 2 | 7 |
| 1989 | 4 | 4 |
| 1990 | 0 | 3 |
| 1991 | 0 | 6 |
| 1992 | 3 | 3 |
| 1993 | 0 | 5 |
| 1994 | 1 | 3 |
| 1995 | 1 | 5 |
| 1996 | 3 | 4 |
| 1997 | 3 | 8 |
| 1998 | 0 | 3 |
| 1999 | 2 | 13 |
| 2000 | 2 | 8 |
| 2001 | 2 | 9 |
| 2002 | 1 | 8 |
| 2003 | 1 | 8 |
| 2004 | 2 | 12 |
| 2005 | 2 | 9 |
| 2006 | 0 | 13 |
| 2007 | 0 | 11 |
| 2008 | 2 | 8 |
| 2009 | 2 | 5 |
| 2010 | 2 | 6 |
| 2011 | 0 | 4 |
| 2012 | 1 | 3 |
| 2013 | 3 | 11 |
| 2014 | 5 | 6 |
| 2015 | 4 | 4 |
| 2016 | 4 | 6 |
| 2017 | 2 | 6 |
| 2018 | 5 | 7 |
| 2019 | 6 | 9 |
| 2020 | 4 | 8 |
| 2021 | 6 | 9 |
| 2022 | 10 | 11 |
| 2023 | 22 | 8 |
| 2024 | 7 | 10 |
| 2025 | 5 | 13 |
| 2026 | 0 | 5 |
| This title (2018) | 6 | 1 |
● This title (2018): advocacy 6 · explore Animation →
Cast & Crew
Tomo Ookubo (director) · Yoshihiko Umakoshi (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
