Scored entertainment-first on WhatSphere's content-balance model 5
Its director stated on the record that "i wanted to explore the grief associated with a place, When a person passes away, there are funerals to mark their departure, However, when people leave cities…" 1. Its director stated on the record that "if, conversely, I didn't make an entertaining film, it wouldn't make sense, even with a real tragedy as the backdrop, not being able to address it in an entert…" 2. Its director stated on the record that "i think it's been twelve years now since the disaster, and I think, while some people in Japan are starting to forget what happened, I think it's right that so…" 3. Its narrative-universality assessment registers 9 of 10 4. Taken together, the content-balance model places it entertainment-first at 11 of 100 5. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Asian 6.
- 1Creator statementdirector: "I wanted to explore the grief associated with a place. When a person passes away, there are funerals to mark their departure. However, when people leave cities or regions, and entire places are lost,…"Pen Online interview with Makoto Shinkai source ↗
- 2Creator statementdirector: "If, conversely, I didn't make an entertaining film, it wouldn't make sense... even with a real tragedy as the backdrop, not being able to address it in an entertaining way would be the real tragedy."Pen Online interview with Makoto Shinkai source ↗
- 3Creator statementdirector: "I think it's been twelve years now since the disaster, and I think, while some people in Japan are starting to forget what happened, I think it's right that someone should be dealing with these real-…"Anime News Network interview, April 2023 source ↗
- 4Narrative universalityNarrative universality 9 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 9/10 -> advocacy signal 11
- 5Content balanceAdvocacy 11 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 9/10 -> advocacy signal 11
- 6RepresentationRepresentation vs production-origin baseline: Asian 77.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 23 — strongly youth-oriented
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Synopsis
Suzume, 17, lost her mother as a little girl. On her way to school, she meets a mysterious young man. But her curiosity unleashes a calamity that endangers the entire population of Japan, and so Suzume embarks on a journey to set things right.
What did the audience think? Rate Suzume — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Animation
The average advocacy score of Animation titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1951 | 0 | 2 |
| 1952 | 0 | 2 |
| 1957 | 3 | 2 |
| 1967 | 0 | 2 |
| 1970 | 4 | 2 |
| 1977 | 0 | 3 |
| 1978 | 2 | 3 |
| 1979 | 0 | 2 |
| 1981 | 0 | 2 |
| 1982 | 2 | 2 |
| 1983 | 1 | 4 |
| 1984 | 1 | 2 |
| 1985 | 3 | 2 |
| 1986 | 0 | 12 |
| 1987 | 2 | 4 |
| 1988 | 3 | 7 |
| 1989 | 6 | 4 |
| 1990 | 1 | 3 |
| 1991 | 0 | 6 |
| 1992 | 3 | 3 |
| 1993 | 2 | 5 |
| 1994 | 5 | 3 |
| 1995 | 3 | 5 |
| 1996 | 3 | 4 |
| 1997 | 4 | 8 |
| 1998 | 1 | 3 |
| 1999 | 4 | 13 |
| 2000 | 2 | 8 |
| 2001 | 4 | 9 |
| 2002 | 2 | 8 |
| 2003 | 2 | 8 |
| 2004 | 4 | 12 |
| 2005 | 3 | 9 |
| 2006 | 1 | 13 |
| 2007 | 1 | 11 |
| 2008 | 3 | 8 |
| 2009 | 4 | 5 |
| 2010 | 3 | 6 |
| 2011 | 1 | 4 |
| 2012 | 2 | 3 |
| 2013 | 5 | 11 |
| 2014 | 7 | 6 |
| 2015 | 6 | 4 |
| 2016 | 7 | 6 |
| 2017 | 4 | 6 |
| 2018 | 11 | 7 |
| 2019 | 8 | 9 |
| 2020 | 6 | 8 |
| 2021 | 11 | 9 |
| 2022 | 14 | 11 |
| 2023 | 25 | 8 |
| 2024 | 12 | 11 |
| 2025 | 4 | 14 |
| 2026 | 0 | 9 |
| This title (2022) | 11 | 1 |
● This title (2022): advocacy 11 · explore Animation →
Cast & Crew
Yuuga Tokuno (director) · Nana Harada (director)