Scored entertainment-first on WhatSphere's content-balance model 5
Its director stated on the record that "when we got together with our staff members to produce Ponyo on the Cliff by the Sea, we found that one of them had just had a child, Therefore, in the product…" 1. Its director stated on the record that "the most important thing is that even within such an environment, children grow up, they learn to love and they enjoy living in that environment, I think what…" 2. Its director stated on the record that "there are so many ships in the animation sea that are computer driven, that I think we can have at least one that's just a log raft that we can row by hand" 3. Its narrative-universality assessment registers 9 of 10 4. Taken together, the content-balance model places it entertainment-first at 11 of 100 5. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Asian 6.
- 1Creator statementdirector: "When we got together with our staff members to produce Ponyo on the Cliff by the Sea, we found that one of them had just had a child. Therefore, in the production of this film, the members of staff w…"Screen Anarchy, Miyazaki press conference, Foreign Correspondents' Club of Japan, November 2008 source ↗
- 2Creator statementdirector: "The most important thing is that even within such an environment, children grow up, they learn to love and they enjoy living in that environment. I think what is most important is that parents and ch…"FanBolt, Hayao Miyazaki interview, 2009 source ↗
- 3Creator statementdirector: "There are so many ships in the animation sea that are computer driven, that I think we can have at least one that's just a log raft that we can row by hand."Collider, Hayao Miyazaki interview, Comic-Con/Los Angeles, August 2009 source ↗
- 4Narrative universalityNarrative universality 9 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 9/10 -> advocacy signal 11
- 5Content balanceAdvocacy 11 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 9/10 -> advocacy signal 11
- 6RepresentationRepresentation vs production-origin baseline: Asian 77.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 15 — strongly youth-oriented
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Synopsis
When Sosuke, a young boy who lives on a clifftop overlooking the sea, rescues a stranded goldfish named Ponyo, he discovers more than he bargained for. Ponyo is a curious, energetic young creature who yearns to be human, but even as she causes chaos around the house, her father, a powerful sorcerer, schemes to return Ponyo to the sea.
What did the audience think? Rate Ponyo — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Animation
The average advocacy score of Animation titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1951 | 0 | 2 |
| 1952 | 0 | 2 |
| 1957 | 3 | 2 |
| 1967 | 0 | 2 |
| 1970 | 4 | 2 |
| 1977 | 0 | 3 |
| 1978 | 2 | 3 |
| 1979 | 0 | 2 |
| 1981 | 0 | 2 |
| 1982 | 2 | 2 |
| 1983 | 1 | 4 |
| 1984 | 1 | 2 |
| 1985 | 3 | 2 |
| 1986 | 0 | 12 |
| 1987 | 2 | 4 |
| 1988 | 3 | 7 |
| 1989 | 6 | 4 |
| 1990 | 1 | 3 |
| 1991 | 0 | 6 |
| 1992 | 3 | 3 |
| 1993 | 2 | 5 |
| 1994 | 5 | 3 |
| 1995 | 3 | 5 |
| 1996 | 3 | 4 |
| 1997 | 4 | 8 |
| 1998 | 1 | 3 |
| 1999 | 4 | 13 |
| 2000 | 2 | 8 |
| 2001 | 4 | 9 |
| 2002 | 2 | 8 |
| 2003 | 2 | 8 |
| 2004 | 4 | 12 |
| 2005 | 3 | 9 |
| 2006 | 1 | 13 |
| 2007 | 1 | 11 |
| 2008 | 3 | 8 |
| 2009 | 4 | 5 |
| 2010 | 3 | 6 |
| 2011 | 1 | 4 |
| 2012 | 2 | 3 |
| 2013 | 5 | 11 |
| 2014 | 7 | 6 |
| 2015 | 6 | 4 |
| 2016 | 7 | 6 |
| 2017 | 4 | 6 |
| 2018 | 11 | 7 |
| 2019 | 8 | 9 |
| 2020 | 6 | 8 |
| 2021 | 11 | 9 |
| 2022 | 14 | 11 |
| 2023 | 25 | 8 |
| 2024 | 12 | 11 |
| 2025 | 4 | 14 |
| 2026 | 0 | 9 |
| This title (2008) | 11 | 1 |
● This title (2008): advocacy 11 · explore Animation →
Cast & Crew
Naomi Kasugai (director) · Kenji Imura (director)