Research evidenceResearch evidence — scores and sourced research

Scored entertainment-first on WhatSphere's content-balance model 5

Its director stated on the record that "when we got together with our staff members to produce Ponyo on the Cliff by the Sea, we found that one of them had just had a child, Therefore, in the product…" 1. Its director stated on the record that "the most important thing is that even within such an environment, children grow up, they learn to love and they enjoy living in that environment, I think what…" 2. Its director stated on the record that "there are so many ships in the animation sea that are computer driven, that I think we can have at least one that's just a log raft that we can row by hand" 3. Its narrative-universality assessment registers 9 of 10 4. Taken together, the content-balance model places it entertainment-first at 11 of 100 5. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Asian 6.

The receipts — every claim above is sourced
  1. 1
    Creator statementdirector: "When we got together with our staff members to produce Ponyo on the Cliff by the Sea, we found that one of them had just had a child. Therefore, in the production of this film, the members of staff w…"Screen Anarchy, Miyazaki press conference, Foreign Correspondents' Club of Japan, November 2008 source ↗
  2. 2
    Creator statementdirector: "The most important thing is that even within such an environment, children grow up, they learn to love and they enjoy living in that environment. I think what is most important is that parents and ch…"FanBolt, Hayao Miyazaki interview, 2009 source ↗
  3. 3
    Creator statementdirector: "There are so many ships in the animation sea that are computer driven, that I think we can have at least one that's just a log raft that we can row by hand."Collider, Hayao Miyazaki interview, Comic-Con/Los Angeles, August 2009 source ↗
  4. 4
    Narrative universalityNarrative universality 9 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 9/10 -> advocacy signal 11
  5. 5
    Content balanceAdvocacy 11 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 9/10 -> advocacy signal 11
  6. 6
    RepresentationRepresentation vs production-origin baseline: Asian 77.WhatSphere representation model, score_version 1

WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.

Data updated March 22, 2026Scored, pending verification.Think a score is wrong? Submit a correction.
Primary audienceYoung WomenYoung Women86
Young MaleYoung FemaleMature MaleMature Female
Primary audienceYoung Women
Targeted

Quadrant Scores

Young Men
84
Young Women
86
Older Men
14
Older Women
16
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Audience Representation

White
40
Black
46
Hispanic
48
Asian
77
South Asian
48
Middle Eastern
48
Indigenous
50
Mixed
42
Other
48
LGBTQ+
0

Faithfulness

Faithfulness not applicable

Faithfulness is scored only for adaptations.

Why this is blank

An original has no source text to compare. The score is left blank rather than shown as zero.

Advocacy

Advocacy11
Entertainment

Where to Watch (US)

Stream
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Synopsis

When Sosuke, a young boy who lives on a clifftop overlooking the sea, rescues a stranded goldfish named Ponyo, he discovers more than he bargained for. Ponyo is a curious, energetic young creature who yearns to be human, but even as she causes chaos around the house, her father, a powerful sorcerer, schemes to return Ponyo to the sea.

Score version: v1Data confidence: 100%How are scores calculated?

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Lineage and popularity

No lineage or popularity yet

This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.

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Advocacy Over Time in Animation

The average advocacy score of Animation titles by release year, with this title marked. Higher is more advocacy-driven.

25507519512026
Average advocacy score of Animation titles by release year
YearAverage advocacyTitles
195102
195202
195732
196702
197042
197703
197823
197902
198102
198222
198314
198412
198532
1986012
198724
198837
198964
199013
199106
199233
199325
199453
199535
199634
199748
199813
1999413
200028
200149
200228
200328
2004412
200539
2006113
2007111
200838
200945
201036
201114
201223
2013511
201476
201564
201676
201746
2018117
201989
202068
2021119
20221411
2023258
20241211
2025414
202609
This title (2008)111

● This title (2008): advocacy 11 · explore Animation →

Cast & Crew

Naomi Kasugai (director) · Kenji Imura (director)