Scored entertainment-first on WhatSphere's content-balance model 4
Its director stated on the record that "when we got together with our staff members to produce Ponyo on the Cliff by the Sea, we found that one of them had just had a child, Therefore, in the product…" 1. Its director stated on the record that "the most important thing is that even within such an environment, children grow up, they learn to love and they enjoy living in that environment, I think what…" 2. Its director stated on the record that "there are so many ships in the animation sea that are computer driven, that I think we can have at least one that's just a log raft that we can row by hand" 3. Taken together, the content-balance model places it entertainment-first at 9 of 100 4.
- 1Creator statementdirector: "When we got together with our staff members to produce Ponyo on the Cliff by the Sea, we found that one of them had just had a child. Therefore, in the production of this film, the members of staff w…"Screen Anarchy, Miyazaki press conference, Foreign Correspondents' Club of Japan, November 2008 source ↗
- 2Creator statementdirector: "The most important thing is that even within such an environment, children grow up, they learn to love and they enjoy living in that environment. I think what is most important is that parents and ch…"FanBolt, Hayao Miyazaki interview, 2009 source ↗
- 3Creator statementdirector: "There are so many ships in the animation sea that are computer driven, that I think we can have at least one that's just a log raft that we can row by hand."Collider, Hayao Miyazaki interview, Comic-Con/Los Angeles, August 2009 source ↗
- 4Content balanceAdvocacy 9 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
When Sosuke, a young boy who lives on a clifftop overlooking the sea, rescues a stranded goldfish named Ponyo, he discovers more than he bargained for. Ponyo is a curious, energetic young creature who yearns to be human, but even as she causes chaos around the house, her father, a powerful sorcerer, schemes to return Ponyo to the sea.
Age: 15 — strongly youth-oriented
Quadrant Scores
Audience Representation
Where to Watch (US)
HBO Max
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Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
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Advocacy Over Time in Animation
The average advocacy score of Animation titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1951 | 0 | 2 |
| 1952 | 0 | 2 |
| 1957 | 0 | 2 |
| 1967 | 0 | 2 |
| 1970 | 4 | 2 |
| 1977 | 0 | 3 |
| 1978 | 0 | 3 |
| 1979 | 0 | 2 |
| 1981 | 0 | 2 |
| 1982 | 0 | 2 |
| 1983 | 1 | 4 |
| 1984 | 0 | 2 |
| 1985 | 0 | 2 |
| 1986 | 0 | 12 |
| 1987 | 0 | 4 |
| 1988 | 2 | 7 |
| 1989 | 4 | 4 |
| 1990 | 0 | 3 |
| 1991 | 0 | 6 |
| 1992 | 3 | 3 |
| 1993 | 0 | 5 |
| 1994 | 1 | 3 |
| 1995 | 1 | 5 |
| 1996 | 3 | 4 |
| 1997 | 3 | 8 |
| 1998 | 0 | 3 |
| 1999 | 2 | 13 |
| 2000 | 2 | 8 |
| 2001 | 2 | 9 |
| 2002 | 1 | 8 |
| 2003 | 1 | 8 |
| 2004 | 2 | 12 |
| 2005 | 2 | 9 |
| 2006 | 0 | 13 |
| 2007 | 0 | 11 |
| 2008 | 2 | 8 |
| 2009 | 2 | 5 |
| 2010 | 2 | 6 |
| 2011 | 0 | 4 |
| 2012 | 1 | 3 |
| 2013 | 3 | 11 |
| 2014 | 5 | 6 |
| 2015 | 4 | 4 |
| 2016 | 4 | 6 |
| 2017 | 2 | 6 |
| 2018 | 5 | 7 |
| 2019 | 6 | 9 |
| 2020 | 4 | 8 |
| 2021 | 6 | 9 |
| 2022 | 10 | 11 |
| 2023 | 22 | 8 |
| 2024 | 7 | 10 |
| 2025 | 5 | 13 |
| 2026 | 0 | 5 |
| This title (2008) | 9 | 1 |
● This title (2008): advocacy 9 · explore Animation →
Cast & Crew
Naomi Kasugai (director) · Kenji Imura (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
