Made first for young women 1
KPop Demon Hunters's audience scores lean most toward young women at 100 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Asian and below it for White and Black 3. On content balance it reads entertainment-first at 13 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreyoung women 100 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: Asian 99, White 1, Black 26.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 13 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
When K-pop superstars Rumi, Mira and Zoey aren't selling out stadiums, they're using their secret powers to protect their fans from supernatural threats.
Age: 28 — strongly youth-oriented
Quadrant Scores
Audience Representation
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Put its audience profile side by side with any other title.
Advocacy Over Time in Fantasy
The average advocacy score of Fantasy titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1940 | 0 | 2 |
| 1970 | 0 | 2 |
| 1977 | 0 | 2 |
| 1978 | 0 | 2 |
| 1982 | 0 | 2 |
| 1984 | 1 | 6 |
| 1985 | 0 | 2 |
| 1986 | 0 | 3 |
| 1987 | 0 | 5 |
| 1988 | 1 | 5 |
| 1989 | 3 | 2 |
| 1990 | 0 | 5 |
| 1991 | 1 | 4 |
| 1992 | 3 | 4 |
| 1993 | 0 | 3 |
| 1994 | 2 | 5 |
| 1995 | 0 | 4 |
| 1996 | 0 | 2 |
| 1997 | 2 | 3 |
| 1998 | 2 | 6 |
| 1999 | 1 | 6 |
| 2000 | 0 | 4 |
| 2001 | 4 | 9 |
| 2002 | 2 | 2 |
| 2003 | 1 | 7 |
| 2004 | 5 | 6 |
| 2005 | 0 | 7 |
| 2006 | 1 | 8 |
| 2007 | 0 | 8 |
| 2008 | 4 | 7 |
| 2009 | 2 | 4 |
| 2010 | 5 | 3 |
| 2011 | 3 | 4 |
| 2013 | 7 | 5 |
| 2014 | 2 | 2 |
| 2016 | 19 | 6 |
| 2017 | 8 | 6 |
| 2018 | 6 | 3 |
| 2019 | 14 | 11 |
| 2020 | 21 | 4 |
| 2021 | 6 | 8 |
| 2022 | 15 | 15 |
| 2023 | 26 | 11 |
| 2024 | 5 | 7 |
| 2025 | 6 | 15 |
| 2026 | 15 | 7 |
| This title (2025) | 13 | 1 |
● This title (2025): advocacy 13 · explore Fantasy →
Cast & Crew
Joshua Beveridge (director) · Chris Appelhans (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
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