Made first for young men 1
The Seven Deadly Sins's audience scores lean most toward young men at 83 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. As an adaptation it scores 87 of 100 for faithfulness, a closely faithful treatment of its source material 3. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Asian 4. On content balance it reads entertainment-first at 6 of 100, weighting storytelling over explicit messaging 5.
- 1Audience scoreyoung men 83 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3FaithfulnessFaithfulness 87 of 100 — a closely faithful adaptation.WhatSphere faithfulness checklist, score_version 1
- 4RepresentationRepresentation vs production-origin baseline: White 100, Asian 0.WhatSphere representation model, score_version 1
- 5Content balanceContent balance entertainment-first at 6 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
The “Seven Deadly Sins”—a group of evil knights who conspired to overthrow the kingdom of Britannia—were said to have been eradicated by the Holy Knights, although some claim that they still live. Ten years later, the Holy Knights have staged a Coup d'état and assassinated the king, becoming the new, tyrannical rulers of the kingdom. Elizabeth, the king's only daughter, sets out on a journey to find the “Seven Deadly Sins,” and to enlist their help in taking back the kingdom.
Age: 41 — leans younger
Quadrant Scores
Audience Representation
Netflix
Netflix Standard with Ads
Apple TV StoreSource Material
| Title | Author | Type | Year | Purchase link |
|---|---|---|---|---|
| Nanatsu no Taizai | Nakaba Suzuki | manga | 2012 |
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What Changed from the Source
The production decisions behind this adaptation, as recorded — original versus on screen.
Source faithfulness: 87/100
Put its audience profile side by side with any other title.
Advocacy Over Time in Animation
The average advocacy score of Animation titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1951 | 0 | 2 |
| 1952 | 0 | 2 |
| 1957 | 0 | 2 |
| 1967 | 0 | 2 |
| 1970 | 4 | 2 |
| 1977 | 0 | 3 |
| 1978 | 0 | 3 |
| 1979 | 0 | 2 |
| 1981 | 0 | 2 |
| 1982 | 0 | 2 |
| 1983 | 1 | 4 |
| 1984 | 0 | 2 |
| 1985 | 0 | 2 |
| 1986 | 0 | 12 |
| 1987 | 0 | 4 |
| 1988 | 2 | 7 |
| 1989 | 4 | 4 |
| 1990 | 0 | 3 |
| 1991 | 0 | 6 |
| 1992 | 1 | 3 |
| 1993 | 0 | 5 |
| 1994 | 1 | 3 |
| 1995 | 1 | 5 |
| 1996 | 2 | 4 |
| 1997 | 3 | 8 |
| 1998 | 0 | 3 |
| 1999 | 2 | 13 |
| 2000 | 1 | 8 |
| 2001 | 2 | 9 |
| 2002 | 1 | 8 |
| 2003 | 1 | 8 |
| 2004 | 2 | 12 |
| 2005 | 2 | 9 |
| 2006 | 0 | 13 |
| 2007 | 0 | 11 |
| 2008 | 2 | 8 |
| 2009 | 2 | 5 |
| 2010 | 2 | 6 |
| 2011 | 0 | 4 |
| 2012 | 1 | 3 |
| 2013 | 3 | 11 |
| 2014 | 4 | 6 |
| 2015 | 3 | 4 |
| 2016 | 4 | 6 |
| 2017 | 2 | 6 |
| 2018 | 5 | 7 |
| 2019 | 4 | 9 |
| 2020 | 4 | 8 |
| 2021 | 6 | 9 |
| 2022 | 7 | 11 |
| 2023 | 20 | 8 |
| 2024 | 8 | 9 |
| 2025 | 1 | 8 |
| 2026 | 0 | 4 |
| This title (2014) | 6 | 1 |
● This title (2014): advocacy 6 · explore Animation →
Cast & Crew
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
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