Scored entertainment-first on WhatSphere's content-balance model 3
Its producer stated on the record that "bell's charm, His character, and also the worldview was so hashed out so that really pulled me in, The character is the backbone of the story, So to look at ch…" 1. Its narrative-universality assessment registers 9 of 10 2. Taken together, the content-balance model places it entertainment-first at 5 of 100 3. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and other and below it for Asian 4.
- 1Creator statementproducer: "Bell's charm. His character, and also the worldview was so hashed out so that really pulled me in. The character is the backbone of the story. So to look at characters, not just on the surface, but t…"ComicBook.com, DanMachi Producer Nobuhiro Osawa interview source ↗
- 2Narrative universalityNarrative universality 9 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 9/10 -> advocacy signal 11
- 3Content balanceAdvocacy 5 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 9/10 -> advocacy signal 11
- 4RepresentationRepresentation vs production-origin baseline: White 94, other 88, Asian 2.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 57 — leans mature
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Hulu
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Amazon Video
Apple TV Store
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Fandango At HomeSynopsis
In Orario, fearless adventurers band together in search of fame and fortune within the underground labyrinth known as the Dungeon. But Bell Cranel, novice adventurer, has bigger plans than riches and glory; he fights monsters in the hope of having a fateful encounter with a girl. When this happens, it doesn't go exactly as he planned. Thus begins the story of an unlikely pair, a boy and a goddess, both trying to prove themselves, both eager to reach their goals.
What did the audience think? Rate Is It Wrong to Try to Pick Up Girls in a Dungeon? — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Animation
The average advocacy score of Animation titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1951 | 0 | 2 |
| 1952 | 0 | 2 |
| 1957 | 3 | 2 |
| 1967 | 0 | 2 |
| 1970 | 4 | 2 |
| 1977 | 0 | 3 |
| 1978 | 2 | 3 |
| 1979 | 0 | 2 |
| 1981 | 0 | 2 |
| 1982 | 2 | 2 |
| 1983 | 1 | 4 |
| 1984 | 1 | 2 |
| 1985 | 3 | 2 |
| 1986 | 0 | 12 |
| 1987 | 2 | 4 |
| 1988 | 3 | 7 |
| 1989 | 6 | 4 |
| 1990 | 1 | 3 |
| 1991 | 0 | 6 |
| 1992 | 3 | 3 |
| 1993 | 2 | 5 |
| 1994 | 5 | 3 |
| 1995 | 3 | 5 |
| 1996 | 3 | 4 |
| 1997 | 4 | 8 |
| 1998 | 1 | 3 |
| 1999 | 4 | 13 |
| 2000 | 2 | 8 |
| 2001 | 4 | 9 |
| 2002 | 2 | 8 |
| 2003 | 2 | 8 |
| 2004 | 4 | 12 |
| 2005 | 3 | 9 |
| 2006 | 1 | 13 |
| 2007 | 1 | 11 |
| 2008 | 3 | 8 |
| 2009 | 4 | 5 |
| 2010 | 3 | 6 |
| 2011 | 1 | 4 |
| 2012 | 2 | 3 |
| 2013 | 5 | 11 |
| 2014 | 7 | 6 |
| 2015 | 6 | 4 |
| 2016 | 7 | 6 |
| 2017 | 4 | 6 |
| 2018 | 11 | 7 |
| 2019 | 8 | 9 |
| 2020 | 6 | 8 |
| 2021 | 11 | 9 |
| 2022 | 14 | 11 |
| 2023 | 25 | 8 |
| 2024 | 12 | 11 |
| 2025 | 4 | 14 |
| 2026 | 0 | 9 |
| This title (2015) | 5 | 1 |
● This title (2015): advocacy 5 · explore Animation →
Cast & Crew
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
