Made first for older men 1
Life in Loops (A Megacities RMX)'s audience scores lean most toward older men at 78 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. Relative to the expected cast make-up for its production origin, on-screen representation registers below the baseline for White 3. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreolder men 78 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: White 17.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking.
Age: 57 — leans mature
Quadrant Scores
Audience Representation
Where to Watch (US)
DocAlliance Films
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Advocacy Over Time in Documentary
The average advocacy score of Documentary titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1905 | 0 | 5 |
| 1938 | 2 | 2 |
| 1967 | 0 | 2 |
| 1968 | 4 | 2 |
| 1970 | 0 | 3 |
| 1971 | 0 | 2 |
| 1974 | 0 | 3 |
| 1975 | 5 | 3 |
| 1985 | 0 | 2 |
| 1989 | 0 | 3 |
| 1990 | 0 | 2 |
| 1992 | 0 | 3 |
| 1994 | 0 | 3 |
| 1996 | 0 | 4 |
| 1997 | 0 | 5 |
| 1999 | 0 | 7 |
| 2001 | 1 | 3 |
| 2002 | 1 | 11 |
| 2003 | 1 | 15 |
| 2004 | 0 | 9 |
| 2005 | 1 | 11 |
| 2006 | 0 | 20 |
| 2007 | 0 | 9 |
| 2008 | 1 | 13 |
| 2009 | 0 | 5 |
| 2010 | 0 | 2 |
| 2011 | 0 | 9 |
| 2012 | 0 | 3 |
| 2013 | 0 | 8 |
| 2014 | 0 | 5 |
| 2015 | 0 | 3 |
| 2018 | 1 | 12 |
| 2019 | 0 | 7 |
| 2020 | 1 | 17 |
| 2021 | 1 | 6 |
| 2022 | 5 | 2 |
| This title (2006) | 0 | 1 |
● This title (2006): advocacy 0 · explore Documentary →
Cast & Crew
Wolfgang Thaler (director)
Made for the Same Audience
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