Made first for older men 1
Darkon's audience scores lean most toward older men at 74 of 100, with comparable appeal to young men 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Black and Hispanic 3. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreolder men 74 of 100 is the top quadrant, with young men 72 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: White 96, Black 26, Hispanic 28.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 51 — age-balanced
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Kanopy
Apple TV Store
Google Play Movies
YouTubeApple TV StoreGoogle Play MoviesYouTubeSynopsis
Darkon is an award-winning feature-length documentary film that follows the real-life adventures of the Darkon Wargaming Club in Baltimore, Maryland, a group of fantasy live-action role-playing (LARP) gamers.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
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Advocacy Over Time in Documentary
The average advocacy score of Documentary titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1905 | 0 | 5 |
| 1938 | 5 | 2 |
| 1967 | 3 | 2 |
| 1968 | 5 | 2 |
| 1970 | 2 | 3 |
| 1971 | 0 | 2 |
| 1974 | 0 | 3 |
| 1975 | 6 | 3 |
| 1985 | 0 | 2 |
| 1989 | 0 | 3 |
| 1990 | 0 | 2 |
| 1992 | 0 | 3 |
| 1994 | 0 | 3 |
| 1996 | 0 | 4 |
| 1997 | 0 | 5 |
| 1999 | 2 | 7 |
| 2001 | 1 | 3 |
| 2002 | 1 | 11 |
| 2003 | 2 | 15 |
| 2004 | 1 | 9 |
| 2005 | 3 | 11 |
| 2006 | 1 | 20 |
| 2007 | 2 | 9 |
| 2008 | 2 | 13 |
| 2009 | 0 | 5 |
| 2010 | 0 | 2 |
| 2011 | 0 | 9 |
| 2012 | 0 | 3 |
| 2013 | 1 | 8 |
| 2014 | 0 | 5 |
| 2015 | 0 | 3 |
| 2018 | 2 | 12 |
| 2019 | 0 | 7 |
| 2020 | 1 | 17 |
| 2021 | 3 | 6 |
| 2022 | 11 | 2 |
| This title (2006) | 0 | 1 |
● This title (2006): advocacy 0 · explore Documentary →
Cast & Crew
Luke Meyer (director) · Andrew Neel (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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