Made first for older women 1
Subservience's audience scores lean most toward older women at 56 of 100, with comparable appeal to older men 1. Its overall reach is rated mass-market — mass-market reach across most demographics 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Black and Hispanic 3. On content balance it reads entertainment-first at 6 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreolder women 56 of 100 is the top quadrant, with older men 53 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated mass_market.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: White 73, Black 26, Hispanic 28.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 6 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
With his wife out sick, a struggling father brings home a lifelike AI, only to have his self-aware new help want everything her new family has to offer... Like the affection of her owner and she'll kill to get it.
Age: 54 — age-balanced
Quadrant Scores
Audience Representation
Where to Watch (US)
Netflix
Netflix Standard with Ads
Kanopy
Hoopla
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Spectrum On DemandAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeWhat did the audience think? Rate Subservience — every voice counts equally, no account needed. Clean reviews appear instantly.
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Advocacy Over Time in Horror
The average advocacy score of Horror titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1932 | 0 | 2 |
| 1963 | 0 | 2 |
| 1970 | 6 | 2 |
| 1972 | 1 | 4 |
| 1973 | 1 | 3 |
| 1975 | 2 | 2 |
| 1976 | 0 | 2 |
| 1977 | 2 | 2 |
| 1978 | 0 | 5 |
| 1979 | 7 | 4 |
| 1980 | 2 | 3 |
| 1981 | 1 | 4 |
| 1982 | 0 | 4 |
| 1984 | 0 | 2 |
| 1985 | 0 | 2 |
| 1987 | 0 | 3 |
| 1988 | 2 | 2 |
| 1990 | 0 | 2 |
| 1992 | 0 | 2 |
| 1995 | 0 | 3 |
| 1996 | 0 | 2 |
| 1997 | 1 | 6 |
| 1998 | 0 | 2 |
| 1999 | 0 | 5 |
| 2000 | 1 | 5 |
| 2001 | 0 | 9 |
| 2002 | 1 | 8 |
| 2003 | 3 | 5 |
| 2004 | 0 | 10 |
| 2005 | 0 | 8 |
| 2006 | 1 | 9 |
| 2007 | 0 | 7 |
| 2008 | 1 | 5 |
| 2010 | 4 | 3 |
| 2016 | 3 | 3 |
| 2017 | 8 | 2 |
| 2018 | 6 | 2 |
| 2019 | 2 | 3 |
| 2020 | 15 | 3 |
| 2022 | 7 | 10 |
| 2023 | 5 | 5 |
| 2024 | 7 | 9 |
| 2025 | 0 | 9 |
| 2026 | 0 | 6 |
| This title (2024) | 6 | 1 |
● This title (2024): advocacy 6 · explore Horror →
Cast & Crew
Nancy Foy (director) · Daniel Lindholm (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
