Scored entertainment-first on WhatSphere's content-balance model 4
Its showrunner stated on the record that "we intend to remain faithful to the books because we're massive fans of them and because we believe they worked incredibly well as narrative" 1. Its author stated on the record that "westeros around 300 AC is nowhere near as diverse as 21st century America, but there are some characters of color, and more planned for future books" 2. The adaptation scores 84 of 100 for faithfulness to that source 3. Taken together, the content-balance model places it entertainment-first at 10 of 100 4. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Hispanic and Black 5.
- 1Creator statementshowrunner: "We intend to remain faithful to the books because we're massive fans of them and because we believe they worked incredibly well as narrative."Winter is Coming, November 2017 source ↗
- 2Creator statementauthor: "Westeros around 300 AC is nowhere near as diverse as 21st century America, but there are some characters of color, and more planned for future books."The Mary Sue, 2014 source ↗
- 3FaithfulnessFaithfulness 84 of 100.WhatSphere faithfulness checklist, score_version 1. Faithfulness 84 -> inverted 16
- 4Content balanceAdvocacy 10 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Swaps: 0 race, 0 gender, 0 critical -> 0
- 5RepresentationRepresentation vs production-origin baseline: White 95, Hispanic 28, Black 31.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Seven noble families fight for control of the mythical land of Westeros. Friction between the houses leads to full-scale war. All while a very ancient evil awakens in the farthest north.
Age: 54 — age-balanced
Quadrant Scores
Audience Representation
Where to Watch (US)
HBO Max
HBO Max Amazon Channel
Amazon Video
Apple TV Store
Google Play Movies
Fandango At HomeSource Material
| Title | Author | Type | Year | Purchase link |
|---|---|---|---|---|
| A Song of Ice and Fire | George R.R. Martin | novel | 1996 |
What did the audience think? Rate Game of Thrones — every voice counts equally, no account needed. Clean reviews appear instantly.
What Changed from the Source
The production decisions behind this adaptation, as recorded — original versus on screen.
Source faithfulness: 84/100
Put its audience profile side by side with any other title.
Advocacy Over Time in Fantasy
The average advocacy score of Fantasy titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1940 | 0 | 2 |
| 1970 | 0 | 2 |
| 1977 | 0 | 2 |
| 1978 | 0 | 2 |
| 1982 | 0 | 2 |
| 1984 | 1 | 6 |
| 1985 | 0 | 2 |
| 1986 | 0 | 3 |
| 1987 | 0 | 5 |
| 1988 | 1 | 5 |
| 1989 | 3 | 2 |
| 1990 | 0 | 5 |
| 1991 | 1 | 4 |
| 1992 | 3 | 4 |
| 1993 | 0 | 3 |
| 1994 | 2 | 5 |
| 1995 | 0 | 4 |
| 1996 | 0 | 2 |
| 1997 | 2 | 3 |
| 1998 | 2 | 6 |
| 1999 | 1 | 6 |
| 2000 | 0 | 4 |
| 2001 | 4 | 9 |
| 2002 | 2 | 2 |
| 2003 | 1 | 7 |
| 2004 | 5 | 6 |
| 2005 | 0 | 7 |
| 2006 | 1 | 8 |
| 2007 | 0 | 8 |
| 2008 | 4 | 7 |
| 2009 | 2 | 4 |
| 2010 | 5 | 3 |
| 2011 | 3 | 4 |
| 2013 | 7 | 5 |
| 2014 | 2 | 2 |
| 2016 | 19 | 6 |
| 2017 | 8 | 6 |
| 2018 | 6 | 3 |
| 2019 | 14 | 11 |
| 2020 | 21 | 4 |
| 2021 | 6 | 8 |
| 2022 | 15 | 15 |
| 2023 | 26 | 11 |
| 2024 | 5 | 7 |
| 2025 | 6 | 15 |
| 2026 | 15 | 7 |
| This title (2011) | 10 | 1 |
● This title (2011): advocacy 10 · explore Fantasy →
Cast & Crew
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Featured in Our Analysis
Faithfulness vs Advocacy: Adaptations by the Numbers
Do adaptations that lean toward a message drift further from their source? The catalog says yes on average, but the honest answer rests on very small samples
TrendRace and Gender Swaps: What the Data Actually Shows
Across thousands of scored titles, the catalog records 31 race swaps and 2 gender swaps. Here is the full picture, with the small numbers stated plainly
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