Scored entertainment-first on WhatSphere's content-balance model 4
Its director stated on the record that "i wanted the cast and the crew to reflect the world I live in — a very diverse community — because typically a lot of these movies seem very white, and I didn'…" 1. Its director stated on the record that "i'm gonna go back and deal with what happened at the end of Insidious: Chapter 2, That's the movie I want to make, I want to deal with this family's trauma thr…" 2. Its director stated on the record that "i wanted to make sure that the themes that I was dealing with were something that I was passionate about and that I could keep focused, I'm a dad, I got two bo…" 3. Taken together, the content-balance model places it entertainment-first at 9 of 100 4.
- 1Creator statementdirector: "I wanted the cast and the crew to reflect the world I live in — a very diverse community — because typically a lot of these movies seem very white, and I didn't want that. I wanted the cast and crew…"M&E Media, 2023 source ↗
- 2Creator statementdirector: "I'm gonna go back and deal with what happened at the end of Insidious: Chapter 2. That's the movie I want to make. I want to deal with this family's trauma through the eyes of a horror movie. That's…"Rolling Stone, July 2023 source ↗
- 3Creator statementdirector: "I wanted to make sure that the themes that I was dealing with were something that I was passionate about and that I could keep focused. I'm a dad. I got two boys, so I wanted to do a movie about fath…"GamesRadar, 2023 source ↗
- 4Content balanceAdvocacy 9 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
To put their demons to rest once and for all, Josh Lambert and a college-aged Dalton Lambert must go deeper into The Further than ever before, facing their family's dark past and a host of new and more horrifying terrors that lurk behind the red door.
Age: 43 — leans younger
Quadrant Scores
Audience Representation
Where to Watch (US)
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Advocacy Over Time in Horror
The average advocacy score of Horror titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1932 | 0 | 2 |
| 1963 | 0 | 2 |
| 1970 | 6 | 2 |
| 1972 | 1 | 4 |
| 1973 | 1 | 3 |
| 1975 | 2 | 2 |
| 1976 | 0 | 2 |
| 1977 | 2 | 2 |
| 1978 | 0 | 5 |
| 1979 | 7 | 4 |
| 1980 | 2 | 3 |
| 1981 | 1 | 4 |
| 1982 | 0 | 4 |
| 1984 | 0 | 2 |
| 1985 | 0 | 2 |
| 1987 | 0 | 3 |
| 1988 | 2 | 2 |
| 1990 | 0 | 2 |
| 1992 | 0 | 2 |
| 1995 | 0 | 3 |
| 1996 | 0 | 2 |
| 1997 | 2 | 6 |
| 1998 | 0 | 2 |
| 1999 | 1 | 5 |
| 2000 | 1 | 5 |
| 2001 | 0 | 9 |
| 2002 | 1 | 8 |
| 2003 | 3 | 5 |
| 2004 | 0 | 10 |
| 2005 | 0 | 9 |
| 2006 | 1 | 9 |
| 2007 | 0 | 7 |
| 2008 | 1 | 5 |
| 2010 | 4 | 3 |
| 2016 | 3 | 3 |
| 2017 | 8 | 2 |
| 2018 | 6 | 2 |
| 2019 | 2 | 3 |
| 2020 | 15 | 3 |
| 2022 | 7 | 10 |
| 2023 | 5 | 5 |
| 2024 | 7 | 9 |
| 2025 | 3 | 16 |
| 2026 | 4 | 19 |
| This title (2023) | 9 | 1 |
● This title (2023): advocacy 9 · explore Horror →
Cast & Crew
Riley Flanagan (director) · Stephen Harrison (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
