Scored entertainment-first on WhatSphere's content-balance model 3
Its director stated on the record that "some people age very gracefully and have a great time getting older and others have a hard time with it and become resentful and angry and the like, I always t…" 1. Its narrative-universality assessment registers 8 of 10 2. Taken together, the content-balance model places it entertainment-first at 9 of 100 3. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Black 4.
- 1Creator statementdirector: "Some people age very gracefully and have a great time getting older and others have a hard time with it and become resentful and angry and the like. I always thought that those themes were very relat…"Salon.com, May 2022 source ↗
- 2Narrative universalityNarrative universality 8 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 8/10 -> advocacy signal 22
- 3Content balanceAdvocacy 9 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 8/10 -> advocacy signal 22
- 4RepresentationRepresentation vs production-origin baseline: White 66, Black 34.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 47 — age-balanced
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
PlexAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSynopsis
In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Horror
The average advocacy score of Horror titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1932 | 3 | 2 |
| 1963 | 0 | 2 |
| 1970 | 6 | 2 |
| 1972 | 1 | 4 |
| 1973 | 3 | 3 |
| 1975 | 4 | 2 |
| 1976 | 0 | 2 |
| 1977 | 3 | 2 |
| 1978 | 0 | 5 |
| 1979 | 10 | 4 |
| 1980 | 4 | 3 |
| 1981 | 1 | 4 |
| 1982 | 0 | 4 |
| 1984 | 0 | 2 |
| 1985 | 3 | 2 |
| 1987 | 0 | 3 |
| 1988 | 2 | 2 |
| 1990 | 0 | 2 |
| 1992 | 0 | 2 |
| 1995 | 2 | 3 |
| 1996 | 3 | 2 |
| 1997 | 2 | 6 |
| 1998 | 0 | 2 |
| 1999 | 1 | 5 |
| 2000 | 1 | 5 |
| 2001 | 0 | 9 |
| 2002 | 1 | 8 |
| 2003 | 4 | 5 |
| 2004 | 2 | 10 |
| 2005 | 2 | 9 |
| 2006 | 3 | 9 |
| 2007 | 1 | 7 |
| 2008 | 2 | 5 |
| 2010 | 5 | 3 |
| 2016 | 8 | 3 |
| 2017 | 14 | 2 |
| 2018 | 12 | 2 |
| 2019 | 6 | 3 |
| 2020 | 26 | 3 |
| 2022 | 12 | 10 |
| 2023 | 8 | 5 |
| 2024 | 12 | 9 |
| 2025 | 2 | 18 |
| 2026 | 4 | 26 |
| This title (2022) | 9 | 1 |
● This title (2022): advocacy 9 · explore Horror →
Cast & Crew
John Lott (director) · Benjamin Bamford (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
