Made first for young men 1
Fantastic Beasts: The Crimes of Grindelwald's audience scores lean most toward young men at 81 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. On content balance it reads entertainment-first at 6 of 100, weighting storytelling over explicit messaging 3.
- 1Audience scoreyoung men 81 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3Content balanceContent balance entertainment-first at 6 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 42 — leans younger
Quadrant Scores
Audience Representation
Racial audience withheld
Only 75% of the cast has a researched race, so these scores stay blank.
Why this is blank
A partial classification would pull origin-race scores toward the researched slice and away from the cast as it is. The nine audience scores are withheld instead of shown as zero. Zero would mean no audience, which is not what a thin cast record says.
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
HBO Max
HBO Max Amazon Channel
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Spectrum On Demand
PlexAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSynopsis
Gellert Grindelwald has escaped imprisonment and has begun gathering followers to his cause—elevating wizards above all non-magical beings. The only one capable of putting a stop to him is the wizard he once called his closest friend, Albus Dumbledore. However, Dumbledore will need to seek help from the wizard who had thwarted Grindelwald once before, his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.
What did the audience think? Rate Fantastic Beasts: The Crimes of Grindelwald — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Fantasy
The average advocacy score of Fantasy titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1940 | 2 | 2 |
| 1970 | 0 | 2 |
| 1977 | 0 | 2 |
| 1978 | 3 | 2 |
| 1982 | 0 | 2 |
| 1984 | 1 | 6 |
| 1985 | 3 | 2 |
| 1986 | 0 | 3 |
| 1987 | 1 | 5 |
| 1988 | 1 | 5 |
| 1989 | 4 | 2 |
| 1990 | 0 | 5 |
| 1991 | 1 | 4 |
| 1992 | 4 | 4 |
| 1993 | 2 | 3 |
| 1994 | 3 | 5 |
| 1995 | 2 | 4 |
| 1996 | 0 | 2 |
| 1997 | 3 | 3 |
| 1998 | 2 | 6 |
| 1999 | 2 | 6 |
| 2000 | 2 | 4 |
| 2001 | 7 | 9 |
| 2002 | 7 | 2 |
| 2003 | 3 | 7 |
| 2004 | 7 | 6 |
| 2005 | 2 | 7 |
| 2006 | 3 | 8 |
| 2007 | 2 | 8 |
| 2008 | 6 | 7 |
| 2009 | 5 | 4 |
| 2010 | 6 | 3 |
| 2011 | 6 | 4 |
| 2013 | 10 | 5 |
| 2014 | 5 | 2 |
| 2016 | 24 | 6 |
| 2017 | 17 | 6 |
| 2018 | 10 | 3 |
| 2019 | 19 | 12 |
| 2020 | 24 | 4 |
| 2021 | 11 | 8 |
| 2022 | 22 | 15 |
| 2023 | 30 | 11 |
| 2024 | 6 | 8 |
| 2025 | 6 | 16 |
| 2026 | 11 | 10 |
| This title (2018) | 6 | 1 |
● This title (2018): advocacy 6 · explore Fantasy →
Cast & Crew
Stephen Woolfenden (director) · Philippe Rousselot (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
