Made first for young men 1
Tomb Raider's audience scores lean most toward young men at 73 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. As an adaptation it scores 78 of 100 for faithfulness, a moderately faithful treatment of its source material 3. On content balance it reads entertainment-first at 12 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreyoung men 73 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3FaithfulnessFaithfulness 78 of 100 — a moderately faithful adaptation.WhatSphere faithfulness checklist, score_version 1
- 4Content balanceContent balance entertainment-first at 12 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Lara Croft, the fiercely independent daughter of a missing adventurer, must push herself beyond her limits when she finds herself on the island where her father disappeared.
Age: 36 — leans younger
Quadrant Scores
Audience Representation
Where to Watch (US)
Amazon Video
Apple TV Store
Fandango At Home
PlexAmazon VideoApple TV Store
Google Play Movies
YouTubeFandango At HomeSource Material
| Title | Author | Type | Year | Purchase link |
|---|---|---|---|---|
| Tomb Raider | Crystal Dynamics | video_game | 2013 |
What did the audience think? Rate Tomb Raider — every voice counts equally, no account needed. Clean reviews appear instantly.
What Changed from the Source
The production decisions behind this adaptation, as recorded — original versus on screen.
Source faithfulness: 78/100
Put its audience profile side by side with any other title.
Advocacy Over Time in Action
The average advocacy score of Action titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1964 | 0 | 2 |
| 1965 | 4 | 3 |
| 1966 | 0 | 4 |
| 1968 | 2 | 2 |
| 1970 | 0 | 2 |
| 1971 | 0 | 4 |
| 1972 | 0 | 2 |
| 1973 | 1 | 9 |
| 1975 | 0 | 3 |
| 1977 | 2 | 2 |
| 1979 | 0 | 3 |
| 1980 | 3 | 5 |
| 1981 | 0 | 3 |
| 1982 | 0 | 5 |
| 1983 | 0 | 7 |
| 1984 | 2 | 11 |
| 1985 | 0 | 7 |
| 1986 | 1 | 10 |
| 1987 | 1 | 14 |
| 1988 | 0 | 4 |
| 1989 | 0 | 10 |
| 1990 | 0 | 5 |
| 1991 | 0 | 9 |
| 1992 | 0 | 8 |
| 1993 | 0 | 11 |
| 1994 | 1 | 14 |
| 1995 | 1 | 11 |
| 1996 | 0 | 9 |
| 1997 | 2 | 13 |
| 1998 | 0 | 10 |
| 1999 | 1 | 13 |
| 2000 | 1 | 11 |
| 2001 | 1 | 20 |
| 2002 | 1 | 17 |
| 2003 | 2 | 14 |
| 2004 | 2 | 19 |
| 2005 | 3 | 18 |
| 2006 | 1 | 23 |
| 2007 | 1 | 18 |
| 2008 | 2 | 22 |
| 2009 | 2 | 9 |
| 2010 | 3 | 8 |
| 2011 | 3 | 12 |
| 2012 | 5 | 10 |
| 2013 | 4 | 16 |
| 2014 | 6 | 9 |
| 2015 | 6 | 16 |
| 2016 | 9 | 9 |
| 2017 | 4 | 16 |
| 2018 | 9 | 20 |
| 2019 | 9 | 17 |
| 2020 | 6 | 11 |
| 2021 | 7 | 25 |
| 2022 | 11 | 31 |
| 2023 | 8 | 24 |
| 2024 | 6 | 28 |
| 2025 | 2 | 26 |
| 2026 | 10 | 5 |
| This title (2018) | 12 | 1 |
● This title (2018): advocacy 12 · explore Action →
Cast & Crew
Cecelia van Straaten (director) · Michael Hubbard (director) · Mark Walker (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
