Marvel producers said films should present the world as it is and that adolescents need characters like America Chavez so they are not invisible 1 2.
The critical side argues Multiverse of Madness used America Chavez as representation product more than story necessity 1. The defending side argues comics Strange was always spooky multiverse and kids need to see themselves 2 3. Kevin Feige said films should present the world as it is outside the window 1. Victoria Alonso said children and adolescents want characters like Chavez so they are not invisible 2. Sam Raimi said comics Strange always dealt in spooky dimensions and they tried to bring that 3. WhatSphere scores advocacy 17 of 100 entertainment-first with identity present and LGBTQ centrality 1 4. Whether a multiverse cameo-heavy MCU film is still entertainment-first is a values dispute once the producers representation statements are fixed 1.
- 1Creator statementFilms should present the world as it is outside the windowOut.com, May 2022 source ↗
- 2
- 3
- 4Content balanceAdvocacy 17 entertainment-first, identity presentWhatSphere scores
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Doctor Strange, with the help of mystical allies both old and new, traverses the mind-bending and dangerous alternate realities of the Multiverse to confront a mysterious new adversary.
Age: 34 — leans younger
Quadrant Scores
Audience Representation
Where to Watch (US)
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Advocacy Over Time in Fantasy
The average advocacy score of Fantasy titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1940 | 0 | 2 |
| 1970 | 0 | 2 |
| 1977 | 0 | 2 |
| 1978 | 0 | 2 |
| 1982 | 0 | 2 |
| 1984 | 1 | 6 |
| 1985 | 0 | 2 |
| 1986 | 0 | 3 |
| 1987 | 0 | 5 |
| 1988 | 1 | 5 |
| 1989 | 3 | 2 |
| 1990 | 0 | 5 |
| 1991 | 1 | 4 |
| 1992 | 3 | 4 |
| 1993 | 0 | 3 |
| 1994 | 2 | 5 |
| 1995 | 0 | 4 |
| 1996 | 0 | 2 |
| 1997 | 2 | 3 |
| 1998 | 2 | 6 |
| 1999 | 1 | 6 |
| 2000 | 0 | 4 |
| 2001 | 4 | 9 |
| 2002 | 2 | 2 |
| 2003 | 1 | 7 |
| 2004 | 5 | 6 |
| 2005 | 0 | 7 |
| 2006 | 1 | 8 |
| 2007 | 0 | 8 |
| 2008 | 4 | 7 |
| 2009 | 2 | 4 |
| 2010 | 5 | 3 |
| 2011 | 3 | 4 |
| 2013 | 7 | 5 |
| 2014 | 2 | 2 |
| 2016 | 19 | 6 |
| 2017 | 8 | 6 |
| 2018 | 6 | 3 |
| 2019 | 14 | 11 |
| 2020 | 21 | 4 |
| 2021 | 6 | 8 |
| 2022 | 15 | 15 |
| 2023 | 26 | 11 |
| 2024 | 5 | 7 |
| 2025 | 6 | 15 |
| 2026 | 15 | 7 |
| This title (2022) | 17 | 1 |
● This title (2022): advocacy 17 · explore Fantasy →
Cast & Crew
Dominic Fysh (director) · Lorne Raimi (director)