Scored entertainment-first on WhatSphere's content-balance model 5
Its director stated on the record that "i wanted to make two very slightly different films, A kind of melancholic, haunting first film like a chase thriller road movieand then I wanted to make a b…" 1. Its writer stated on the record that "in 13 years I don't think I was ever more than 72 hours away from Rowling's text, it was all-consuming, I wasn't very happy with my first draft of the script,…" 2. Its producer stated on the record that "the films are born out of Jo's fictionthere is only one Jo Rowling and we could not make a film without her source material" 3. The adaptation scores 90 of 100 for faithfulness to that source 4. Taken together, the content-balance model places it entertainment-first at 12 of 100 5.
- 1Creator statementdirector: "I wanted to make two very slightly different films. A kind of melancholic, haunting first film like a chase thriller road movie...and then I wanted to make a bigger classic fantasy film with dragons."Collider interview, 2010 source ↗
- 2Creator statementwriter: "In 13 years I don't think I was ever more than 72 hours away from Rowling's text, it was all-consuming. I wasn't very happy with my first draft of the script, but I was really happy with my second dr…"Collider interview, 2011 source ↗
- 3Creator statementproducer: "The films are born out of Jo's fiction...there is only one Jo Rowling and we could not make a film without her source material."Collider interview, 2010 source ↗
- 4FaithfulnessFaithfulness 90 of 100.WhatSphere faithfulness checklist, score_version 1
- 5Content balanceAdvocacy 12 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Harry, Ron and Hermione walk away from their last year at Hogwarts to find and destroy the remaining Horcruxes, putting an end to Voldemort's bid for immortality. But with Harry's beloved Dumbledore dead and Voldemort's unscrupulous Death Eaters on the loose, the world is more dangerous than ever.
Age: 32 — leans younger
Quadrant Scores
Audience Representation
Where to Watch (US)
HBO Max
HBO Max Amazon Channel
Peacock Premium
YouTube TV
Peacock Premium Plus
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Spectrum On Demand
PlexAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSource Material
| Title | Author | Type | Year | Purchase link |
|---|---|---|---|---|
| Harry Potter and the Deathly Hallows | J.K. Rowling | novel | 2007 |
What did the audience think? Rate Harry Potter and the Deathly Hallows: Part 1 — every voice counts equally, no account needed. Clean reviews appear instantly.
What Changed from the Source
The production decisions behind this adaptation, as recorded — original versus on screen.
Source faithfulness: 90/100
Put its audience profile side by side with any other title.
Advocacy Over Time in Adventure
The average advocacy score of Adventure titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1952 | 0 | 2 |
| 1959 | 4 | 2 |
| 1960 | 0 | 2 |
| 1963 | 1 | 3 |
| 1966 | 0 | 3 |
| 1968 | 3 | 2 |
| 1972 | 1 | 4 |
| 1973 | 1 | 2 |
| 1975 | 1 | 5 |
| 1978 | 0 | 2 |
| 1979 | 0 | 2 |
| 1981 | 0 | 2 |
| 1982 | 0 | 4 |
| 1983 | 1 | 3 |
| 1984 | 1 | 8 |
| 1985 | 0 | 2 |
| 1986 | 0 | 3 |
| 1987 | 0 | 4 |
| 1988 | 0 | 2 |
| 1989 | 1 | 5 |
| 1990 | 0 | 3 |
| 1991 | 2 | 2 |
| 1992 | 0 | 2 |
| 1993 | 0 | 3 |
| 1994 | 1 | 4 |
| 1995 | 2 | 4 |
| 1996 | 0 | 3 |
| 1997 | 1 | 9 |
| 1998 | 0 | 4 |
| 1999 | 0 | 9 |
| 2000 | 1 | 9 |
| 2001 | 3 | 8 |
| 2002 | 1 | 10 |
| 2003 | 3 | 8 |
| 2004 | 3 | 11 |
| 2005 | 1 | 11 |
| 2006 | 1 | 11 |
| 2007 | 1 | 12 |
| 2008 | 1 | 7 |
| 2009 | 3 | 8 |
| 2010 | 4 | 10 |
| 2011 | 2 | 10 |
| 2012 | 6 | 6 |
| 2013 | 3 | 12 |
| 2014 | 4 | 11 |
| 2015 | 6 | 12 |
| 2016 | 6 | 12 |
| 2017 | 6 | 13 |
| 2018 | 5 | 23 |
| 2019 | 10 | 27 |
| 2020 | 7 | 19 |
| 2021 | 8 | 33 |
| 2022 | 11 | 27 |
| 2023 | 11 | 31 |
| 2024 | 7 | 35 |
| 2025 | 1 | 23 |
| 2026 | 9 | 12 |
| This title (2010) | 12 | 1 |
● This title (2010): advocacy 12 · explore Adventure →
Cast & Crew
Matthew Sharp (director) · William Alexander (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
