Birds of Passage

2018 · Movie · R

IMDBTMDB
Research evidenceResearch evidence — scores and sourced research

Scored entertainment-first on WhatSphere's content-balance model 4

Its director stated on the record that "even more than telling Indigenous stories, I'm interested in telling the stories that people know, but from the Indigenous point of view — which is my point of…" 1. Its director/producer stated on the record that "as filmmakers, we are always looking for those oral histories and testimonies that are left untold… realities that even the majority of Colombians overlook, It…" 2. Its narrative-universality assessment registers 8 of 10 3. Taken together, the content-balance model places it entertainment-first at 10 of 100 4. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Indigenous and below it for White and Hispanic 5.

The receipts — every claim above is sourced
  1. 1
    Creator statementdirector: "Even more than telling Indigenous stories, I'm interested in telling the stories that people know, but from the Indigenous point of view — which is my point of view, because I am Mestizo. In Colombia…"Seventh Row, February 2019 source ↗
  2. 2
    Creator statementdirector/producer: "As filmmakers, we are always looking for those oral histories and testimonies that are left untold… realities that even the majority of Colombians overlook. It is a real debt in our national discours…"Danny Concha interview, May 2019 source ↗
  3. 3
    Narrative universalityNarrative universality 8 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 8/10 -> advocacy signal 22
  4. 4
    Content balanceAdvocacy 10 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 8/10 -> advocacy signal 22
  5. 5
    RepresentationRepresentation vs production-origin baseline: Indigenous 99, White 12, Hispanic 13.WhatSphere representation model, score_version 1

WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.

Data updated May 25, 2026Scored, pending verification.Think a score is wrong? Submit a correction.

Synopsis

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

Young MaleYoung FemaleMature MaleMature Female
Primary audienceOlder Women
Targeted

Quadrant Scores

Young Men
8
Young Women
19
Older Men
81
Older Women
92
Advocacy10
Entertainment

Audience Representation

White
12
Black
31
Hispanic
13
Asian
46
South Asian
50
Middle Eastern
48
Indigenous
99
Mixed
35
Other
48
LGBTQ+
0

Where to Watch (US)

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Cast & Crew

Ciro Guerra (director) · Cristina Gallego (director)