Scored entertainment-first on WhatSphere's content-balance model 5
Its director stated on the record that "the mission from early on was to be uncompromising, but the idea was never to make an erotic thriller, and the idea was never to titillate, It was always suppo…" 1. Its actor stated on the record that "there's a lot of dark material in this movie that is going to make a lot of people uncomfortable, but for us to tell the story in a correct and dangerous way w…" 2. Its actor stated on the record that "to me she seems like a complex modern heroine, she uses her own rules, It's this moment where she gains power, where she turns the tables on the people that ar…" 3. Its narrative-universality assessment registers 8 of 10 4. Taken together, the content-balance model places it entertainment-first at 15 of 100 5. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Hispanic and Black 6.
- 1Creator statementdirector: "The mission from early on was to be uncompromising, but the idea was never to make an erotic thriller, and the idea was never to titillate. It was always supposed to be in service to the story of the…"SlashFilm interview, 2018 source ↗
- 2Creator statementactor: "There's a lot of dark material in this movie that is going to make a lot of people uncomfortable, but for us to tell the story in a correct and dangerous way was more important than my fears."EmanuelLevy.com interview, 2018 source ↗
- 3Creator statementactor: "To me she seems like a complex modern heroine, she uses her own rules. It's this moment where she gains power, where she turns the tables on the people that are trying to control her and I felt that…"HotCorn interview, 2018 source ↗
- 4Narrative universalityNarrative universality 8 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 8/10 -> advocacy signal 22
- 5Content balanceAdvocacy 15 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 8/10 -> advocacy signal 22
- 6RepresentationRepresentation vs production-origin baseline: White 88, Hispanic 28, Black 31.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 56 — leans mature
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Synopsis
Prima ballerina Dominika Egorova faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Dominika emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, she meets a CIA agent who tries to convince her that he is the only person she can trust.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
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Advocacy Over Time in Thriller
The average advocacy score of Thriller titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1942 | 0 | 2 |
| 1944 | 1 | 2 |
| 1946 | 0 | 4 |
| 1947 | 0 | 2 |
| 1948 | 0 | 2 |
| 1949 | 0 | 2 |
| 1951 | 3 | 4 |
| 1954 | 9 | 2 |
| 1955 | 0 | 2 |
| 1956 | 2 | 3 |
| 1958 | 1 | 3 |
| 1959 | 2 | 3 |
| 1960 | 5 | 2 |
| 1963 | 2 | 4 |
| 1964 | 3 | 6 |
| 1965 | 6 | 2 |
| 1967 | 3 | 2 |
| 1968 | 1 | 4 |
| 1969 | 2 | 3 |
| 1970 | 0 | 3 |
| 1971 | 0 | 6 |
| 1972 | 1 | 5 |
| 1973 | 2 | 2 |
| 1974 | 0 | 2 |
| 1975 | 4 | 5 |
| 1976 | 0 | 6 |
| 1978 | 0 | 3 |
| 1979 | 0 | 2 |
| 1980 | 5 | 2 |
| 1981 | 0 | 2 |
| 1982 | 2 | 5 |
| 1983 | 5 | 2 |
| 1984 | 4 | 6 |
| 1985 | 2 | 4 |
| 1986 | 4 | 6 |
| 1987 | 3 | 9 |
| 1988 | 2 | 2 |
| 1989 | 2 | 8 |
| 1990 | 2 | 8 |
| 1991 | 5 | 6 |
| 1992 | 4 | 6 |
| 1993 | 2 | 9 |
| 1994 | 3 | 7 |
| 1995 | 4 | 12 |
| 1996 | 2 | 11 |
| 1997 | 3 | 11 |
| 1998 | 2 | 11 |
| 1999 | 6 | 8 |
| 2000 | 2 | 12 |
| 2001 | 1 | 12 |
| 2002 | 2 | 12 |
| 2003 | 4 | 15 |
| 2004 | 2 | 14 |
| 2005 | 2 | 20 |
| 2006 | 4 | 24 |
| 2007 | 2 | 25 |
| 2008 | 2 | 17 |
| 2009 | 7 | 4 |
| 2010 | 12 | 2 |
| 2011 | 0 | 5 |
| 2012 | 9 | 4 |
| 2014 | 6 | 6 |
| 2015 | 11 | 4 |
| 2016 | 7 | 2 |
| 2017 | 10 | 5 |
| 2018 | 8 | 4 |
| 2019 | 13 | 9 |
| 2020 | 3 | 3 |
| 2021 | 14 | 6 |
| 2022 | 10 | 9 |
| 2023 | 13 | 7 |
| 2024 | 16 | 16 |
| 2025 | 3 | 26 |
| 2026 | 3 | 33 |
| This title (2018) | 15 | 1 |
● This title (2018): advocacy 15 · explore Thriller →
Cast & Crew
Jo Willems (director) · Francis Lawrence (director)