Made first for older women 1
If All That Changes Quickly's audience scores lean most toward older women at 65 of 100, with comparable appeal to older men 1. Its overall reach is rated mainstream — mainstream, general-audience reach 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Middle Eastern and below it for White and Asian 3. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreolder women 65 of 100 is the top quadrant, with older men 57 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated mainstream.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: Middle Eastern 95, White 1, Asian 31.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
In an age of collective anxiety around issues of safety – be it global, national, or personal –we are interested in the ways in which different practices of resilience change environments, create subjects, unlink temporalities, and redefine relations of security and insecurity. As populist political rhetoric across Europe and North America expresses this in increasingly reactionary ways, often articulated in relation to threats created by other people, what is the relationship to earlier, more fundamental issues of safety that are managed more quietly and bureaucratically?
Age: 61 — leans mature
Quadrant Scores
Audience Representation
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Advocacy Over Time in Documentary
The average advocacy score of Documentary titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1905 | 0 | 5 |
| 1938 | 2 | 2 |
| 1967 | 0 | 2 |
| 1968 | 4 | 2 |
| 1970 | 0 | 3 |
| 1971 | 0 | 2 |
| 1974 | 0 | 3 |
| 1975 | 5 | 3 |
| 1985 | 0 | 2 |
| 1989 | 0 | 3 |
| 1990 | 0 | 2 |
| 1992 | 0 | 3 |
| 1994 | 0 | 3 |
| 1996 | 0 | 4 |
| 1997 | 0 | 5 |
| 1999 | 0 | 7 |
| 2001 | 1 | 3 |
| 2002 | 1 | 11 |
| 2003 | 1 | 15 |
| 2004 | 0 | 9 |
| 2005 | 1 | 11 |
| 2006 | 0 | 20 |
| 2007 | 0 | 9 |
| 2008 | 1 | 13 |
| 2009 | 0 | 5 |
| 2010 | 0 | 2 |
| 2011 | 0 | 9 |
| 2012 | 0 | 3 |
| 2013 | 0 | 8 |
| 2014 | 0 | 5 |
| 2015 | 0 | 3 |
| 2018 | 1 | 12 |
| 2019 | 0 | 7 |
| 2020 | 1 | 17 |
| 2021 | 1 | 6 |
| 2022 | 5 | 2 |
| This title (2018) | 0 | 1 |
● This title (2018): advocacy 0 · explore Documentary →
Cast & Crew
Faraz Anoushahpour (director) · Parastoo Anoushahpour (director) · Ryan Ferko (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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