Scored entertainment-first on WhatSphere's content-balance model 4
Its director stated on the record that "the scares were secondary to how powerful this could be as an allegory or metaphor for parenthood, For me, this is all about parenthood" 1. Its director stated on the record that "casting a deaf actress was a non-negotiable thing for me, I needed a guide, I was writing a movie about a family who had a deaf child, and I know nothing about…" 2. Its producer stated on the record that "everything that she feels about her children, I feel about mine, The line between myself and the character became very blurry for me, It touched on some of my…" 3. Taken together, the content-balance model places it entertainment-first at 12 of 100 4.
- 1Creator statementdirector: "The scares were secondary to how powerful this could be as an allegory or metaphor for parenthood. For me, this is all about parenthood."Deadline, May 2018 source ↗
- 2Creator statementdirector: "Casting a deaf actress was a non-negotiable thing for me. I needed a guide. I was writing a movie about a family who had a deaf child, and I know nothing about that. I needed someone to walk me throu…"Variety, 2018 source ↗
- 3Creator statementproducer: "Everything that she feels about her children, I feel about mine. The line between myself and the character became very blurry for me. It touched on some of my deepest fears as a mother of not being a…"Screencrush, April 2018 source ↗
- 4Content balanceAdvocacy 12 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
A family is forced to live in silence while hiding from creatures that hunt by sound.
Age: 43 — leans younger
Quadrant Scores
Audience Representation
Where to Watch (US)
fuboTV
Paramount Plus Premium
Paramount Plus Essential
Paramount+ Amazon Channel
YouTube TV
Paramount+ Roku Premium Channel
FXNow
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
JustWatch TV
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Advocacy Over Time in Horror
The average advocacy score of Horror titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1932 | 0 | 2 |
| 1963 | 0 | 2 |
| 1970 | 6 | 2 |
| 1972 | 1 | 4 |
| 1973 | 1 | 3 |
| 1975 | 2 | 2 |
| 1976 | 0 | 2 |
| 1977 | 2 | 2 |
| 1978 | 0 | 5 |
| 1979 | 7 | 4 |
| 1980 | 2 | 3 |
| 1981 | 1 | 4 |
| 1982 | 0 | 4 |
| 1984 | 0 | 2 |
| 1985 | 0 | 2 |
| 1987 | 0 | 3 |
| 1988 | 2 | 2 |
| 1990 | 0 | 2 |
| 1992 | 0 | 2 |
| 1995 | 0 | 3 |
| 1996 | 0 | 2 |
| 1997 | 2 | 6 |
| 1998 | 0 | 2 |
| 1999 | 1 | 5 |
| 2000 | 1 | 5 |
| 2001 | 0 | 9 |
| 2002 | 1 | 8 |
| 2003 | 3 | 5 |
| 2004 | 0 | 10 |
| 2005 | 0 | 9 |
| 2006 | 1 | 9 |
| 2007 | 0 | 7 |
| 2008 | 1 | 5 |
| 2010 | 4 | 3 |
| 2016 | 3 | 3 |
| 2017 | 8 | 2 |
| 2018 | 6 | 2 |
| 2019 | 2 | 3 |
| 2020 | 15 | 3 |
| 2022 | 7 | 10 |
| 2023 | 5 | 5 |
| 2024 | 7 | 9 |
| 2025 | 3 | 16 |
| 2026 | 4 | 19 |
| This title (2018) | 12 | 1 |
● This title (2018): advocacy 12 · explore Horror →
Cast & Crew
John Krasinski (director) · Dustin Bewley (director) · Alina Gatti (director) · John R. Saunders (director) · Ali Kashfi (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
