Scored entertainment-first on WhatSphere's content-balance model 5
Its director stated on the record that "the scares were secondary to how powerful this could be as an allegory or metaphor for parenthood, For me, this is all about parenthood" 1. Its director stated on the record that "casting a deaf actress was a non-negotiable thing for me, I needed a guide, I was writing a movie about a family who had a deaf child, and I know nothing about…" 2. Its producer stated on the record that "everything that she feels about her children, I feel about mine, The line between myself and the character became very blurry for me, It touched on some of my…" 3. Its narrative-universality assessment registers 8 of 10 4. Taken together, the content-balance model places it entertainment-first at 18 of 100 5. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Black and Hispanic 6.
- 1Creator statementdirector: "The scares were secondary to how powerful this could be as an allegory or metaphor for parenthood. For me, this is all about parenthood."Deadline, May 2018 source ↗
- 2Creator statementdirector: "Casting a deaf actress was a non-negotiable thing for me. I needed a guide. I was writing a movie about a family who had a deaf child, and I know nothing about that. I needed someone to walk me throu…"Variety, 2018 source ↗
- 3Creator statementproducer: "Everything that she feels about her children, I feel about mine. The line between myself and the character became very blurry for me. It touched on some of my deepest fears as a mother of not being a…"Screencrush, April 2018 source ↗
- 4Narrative universalityNarrative universality 8 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 8/10 -> advocacy signal 22
- 5Content balanceAdvocacy 18 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 8/10 -> advocacy signal 22
- 6RepresentationRepresentation vs production-origin baseline: White 93, Black 26, Hispanic 28.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 43 — leans younger
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Synopsis
A family is forced to live in silence while hiding from creatures that hunt by sound.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Horror
The average advocacy score of Horror titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1932 | 3 | 2 |
| 1963 | 0 | 2 |
| 1970 | 6 | 2 |
| 1972 | 1 | 4 |
| 1973 | 3 | 3 |
| 1975 | 4 | 2 |
| 1976 | 0 | 2 |
| 1977 | 3 | 2 |
| 1978 | 0 | 5 |
| 1979 | 10 | 4 |
| 1980 | 4 | 3 |
| 1981 | 1 | 4 |
| 1982 | 0 | 4 |
| 1984 | 0 | 2 |
| 1985 | 3 | 2 |
| 1987 | 0 | 3 |
| 1988 | 2 | 2 |
| 1990 | 0 | 2 |
| 1992 | 0 | 2 |
| 1995 | 2 | 3 |
| 1996 | 3 | 2 |
| 1997 | 2 | 6 |
| 1998 | 0 | 2 |
| 1999 | 1 | 5 |
| 2000 | 1 | 5 |
| 2001 | 0 | 9 |
| 2002 | 1 | 8 |
| 2003 | 4 | 5 |
| 2004 | 2 | 10 |
| 2005 | 2 | 9 |
| 2006 | 3 | 9 |
| 2007 | 1 | 7 |
| 2008 | 2 | 5 |
| 2010 | 5 | 3 |
| 2016 | 8 | 3 |
| 2017 | 14 | 2 |
| 2018 | 12 | 2 |
| 2019 | 6 | 3 |
| 2020 | 26 | 3 |
| 2022 | 12 | 10 |
| 2023 | 8 | 5 |
| 2024 | 12 | 9 |
| 2025 | 2 | 18 |
| 2026 | 4 | 26 |
| This title (2018) | 18 | 1 |
● This title (2018): advocacy 18 · explore Horror →
Cast & Crew
John Krasinski (director) · Dustin Bewley (director) · Alina Gatti (director) · John R. Saunders (director) · Ali Kashfi (director)