Scored mixed entertainment and message on WhatSphere's content-balance model 3
Its narrative-universality assessment registers 5 of 10 1. LGBTQ representation is assessed as central to the story 2. Taken together, the content-balance model places it mixed entertainment and message at 30 of 100 3.
- 1Narrative universalityNarrative universality 5 of 10; identity centrality prominent.WhatSphere content assessment. Narrative universality 5/10 -> advocacy signal 56
- 2LGBTQ centralityLGBTQ centrality 3 of 5.WhatSphere content assessment
- 3Content balanceAdvocacy 30 of 100, tier mixed entertainment and message.WhatSphere content-balance model, score_version 1. Narrative universality 5/10 -> advocacy signal 56
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 78 — strongly mature-audience
Quadrant Scores
Audience Representation
Racial audience withheld
Only 55% of the cast has a researched race, so these scores stay blank.
Why this is blank
A partial classification would pull origin-race scores toward the researched slice and away from the cast as it is. The nine audience scores are withheld instead of shown as zero. Zero would mean no audience, which is not what a thin cast record says.
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Synopsis
After years of slapdash sequels, the Camp Miasma franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original’s star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
What did the audience think? Rate Teenage Sex and Death at Camp Miasma — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Comedy
The average advocacy score of Comedy titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1914 | 0 | 2 |
| 1925 | 0 | 3 |
| 1931 | 2 | 2 |
| 1933 | 0 | 2 |
| 1935 | 0 | 4 |
| 1937 | 0 | 2 |
| 1940 | 2 | 4 |
| 1941 | 0 | 2 |
| 1943 | 0 | 2 |
| 1944 | 2 | 6 |
| 1945 | 0 | 4 |
| 1947 | 0 | 2 |
| 1948 | 2 | 2 |
| 1950 | 2 | 4 |
| 1951 | 0 | 2 |
| 1952 | 0 | 4 |
| 1953 | 0 | 10 |
| 1955 | 5 | 2 |
| 1956 | 3 | 3 |
| 1957 | 5 | 4 |
| 1958 | 0 | 6 |
| 1959 | 4 | 3 |
| 1960 | 2 | 5 |
| 1961 | 5 | 10 |
| 1962 | 1 | 6 |
| 1963 | 1 | 6 |
| 1964 | 3 | 8 |
| 1965 | 1 | 9 |
| 1966 | 1 | 6 |
| 1968 | 0 | 7 |
| 1969 | 6 | 5 |
| 1970 | 3 | 7 |
| 1971 | 0 | 5 |
| 1972 | 1 | 6 |
| 1973 | 1 | 9 |
| 1974 | 1 | 8 |
| 1975 | 0 | 9 |
| 1976 | 1 | 12 |
| 1977 | 4 | 7 |
| 1978 | 2 | 4 |
| 1979 | 1 | 8 |
| 1980 | 1 | 7 |
| 1981 | 1 | 9 |
| 1982 | 5 | 10 |
| 1983 | 1 | 12 |
| 1984 | 2 | 10 |
| 1985 | 3 | 14 |
| 1986 | 0 | 20 |
| 1987 | 0 | 17 |
| 1988 | 1 | 13 |
| 1989 | 2 | 24 |
| 1990 | 1 | 21 |
| 1991 | 1 | 14 |
| 1992 | 0 | 17 |
| 1993 | 1 | 20 |
| 1994 | 5 | 25 |
| 1995 | 3 | 19 |
| 1996 | 4 | 15 |
| 1997 | 2 | 22 |
| 1998 | 3 | 24 |
| 1999 | 3 | 36 |
| 2000 | 3 | 33 |
| 2001 | 1 | 31 |
| 2002 | 1 | 32 |
| 2003 | 2 | 29 |
| 2004 | 2 | 40 |
| 2005 | 4 | 41 |
| 2006 | 2 | 44 |
| 2007 | 1 | 53 |
| 2008 | 0 | 20 |
| 2009 | 4 | 18 |
| 2010 | 2 | 10 |
| 2011 | 2 | 21 |
| 2012 | 1 | 10 |
| 2013 | 10 | 13 |
| 2014 | 5 | 11 |
| 2015 | 4 | 7 |
| 2016 | 17 | 10 |
| 2017 | 6 | 7 |
| 2018 | 10 | 12 |
| 2019 | 7 | 16 |
| 2020 | 6 | 19 |
| 2021 | 9 | 19 |
| 2022 | 20 | 22 |
| 2023 | 22 | 11 |
| 2024 | 12 | 17 |
| 2025 | 2 | 23 |
| 2026 | 2 | 36 |
| This title (2026) | 30 | 1 |
● This title (2026): advocacy 30 · explore Comedy →
Cast & Crew
Michelle Groves (director) · Tamara Malczewska (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
