Send Help (2026) is a horror movie whose audience scores lean most toward young men at 62 out of 100, a clearer skew than its appeal to the other three quadrants. Its overall reach is rated mainstream, meaning it addresses a general audience. Measured against a balanced 50-point baseline, it sits 6 points toward men on the gender axis and 5 points toward younger viewers on the age axis. Its content balance scores as entertainment-first at 0 out of 100, indicating its content choices weight storytelling over explicit messaging. All figures reflect WhatSphere's data-driven audience model rather than a critical opinion of the title.
Synopsis
Two colleagues become stranded on a deserted island, the only survivors of a plane crash. On the island, they must overcome past grievances and work together to survive, but ultimately, it's a battle of wills and wits to make it out alive.
Age: 45 — age-balanced
Quadrant Scores
Audience Representation
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Advocacy Over Time in Horror
The average advocacy score of Horror titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1932 | 0 | 2 |
| 1963 | 0 | 2 |
| 1970 | 6 | 2 |
| 1972 | 1 | 4 |
| 1973 | 1 | 3 |
| 1975 | 2 | 2 |
| 1976 | 0 | 2 |
| 1977 | 2 | 2 |
| 1978 | 0 | 5 |
| 1979 | 7 | 4 |
| 1980 | 2 | 3 |
| 1981 | 1 | 4 |
| 1982 | 0 | 4 |
| 1984 | 0 | 2 |
| 1985 | 0 | 2 |
| 1987 | 0 | 3 |
| 1988 | 2 | 2 |
| 1990 | 0 | 2 |
| 1992 | 0 | 2 |
| 1995 | 0 | 3 |
| 1996 | 0 | 2 |
| 1997 | 1 | 6 |
| 1998 | 0 | 2 |
| 1999 | 0 | 5 |
| 2000 | 1 | 5 |
| 2001 | 0 | 9 |
| 2002 | 1 | 8 |
| 2003 | 3 | 5 |
| 2004 | 0 | 10 |
| 2005 | 0 | 8 |
| 2006 | 1 | 9 |
| 2007 | 0 | 7 |
| 2008 | 1 | 5 |
| 2010 | 4 | 3 |
| 2016 | 3 | 3 |
| 2017 | 8 | 2 |
| 2018 | 6 | 2 |
| 2019 | 2 | 3 |
| 2020 | 15 | 3 |
| 2022 | 7 | 10 |
| 2023 | 5 | 5 |
| 2024 | 7 | 9 |
| 2025 | 0 | 9 |
| 2026 | 0 | 6 |
| This title (2026) | 0 | 1 |
● This title (2026): advocacy 0 · explore Horror →
Cast & Crew
Damien Drew (director) · Bill Pope (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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