Scored mixed entertainment and message on WhatSphere's content-balance model 4
Its showrunner/creator stated on the record that "every moment in this show exists so that these two women can end up alone in a room together" 1. Its narrative-universality assessment registers 7 of 10 2. LGBTQ representation is assessed as central to the story 3. Taken together, the content-balance model places it mixed entertainment and message at 30 of 100 4. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Asian and White and below it for Hispanic 5.
- 1Creator statementshowrunner/creator: "Every moment in this show exists so that these two women can end up alone in a room together."Variety, April 2018 source ↗
- 2Narrative universalityNarrative universality 7 of 10; identity centrality present.WhatSphere content assessment. Narrative universality 7/10 -> advocacy signal 33
- 3LGBTQ centralityLGBTQ centrality 3 of 5.WhatSphere content assessment
- 4Content balanceAdvocacy 30 of 100, tier mixed entertainment and message.WhatSphere content-balance model, score_version 1. Narrative universality 7/10 -> advocacy signal 33
- 5RepresentationRepresentation vs production-origin baseline: Asian 70, White 67, Hispanic 28.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 74 — strongly mature-audience
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Synopsis
A security consultant hunts for a ruthless assassin. Equally obsessed with each other, they go head to head in an epic game of cat-and-mouse.
What did the audience think? Rate Killing Eve — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Crime
The average advocacy score of Crime titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1929 | 1 | 3 |
| 1931 | 0 | 2 |
| 1932 | 0 | 4 |
| 1937 | 0 | 2 |
| 1941 | 1 | 3 |
| 1944 | 3 | 3 |
| 1946 | 0 | 2 |
| 1948 | 0 | 2 |
| 1950 | 3 | 3 |
| 1951 | 0 | 2 |
| 1954 | 0 | 3 |
| 1955 | 0 | 2 |
| 1956 | 3 | 2 |
| 1958 | 0 | 3 |
| 1959 | 3 | 4 |
| 1960 | 0 | 3 |
| 1961 | 6 | 2 |
| 1962 | 3 | 2 |
| 1963 | 2 | 3 |
| 1964 | 6 | 2 |
| 1965 | 1 | 4 |
| 1967 | 0 | 4 |
| 1968 | 0 | 2 |
| 1969 | 1 | 5 |
| 1971 | 2 | 8 |
| 1972 | 2 | 4 |
| 1973 | 1 | 7 |
| 1974 | 3 | 5 |
| 1975 | 1 | 5 |
| 1976 | 2 | 4 |
| 1978 | 4 | 2 |
| 1980 | 0 | 3 |
| 1983 | 6 | 4 |
| 1984 | 5 | 5 |
| 1986 | 2 | 7 |
| 1987 | 2 | 7 |
| 1988 | 2 | 3 |
| 1989 | 1 | 10 |
| 1990 | 4 | 5 |
| 1991 | 5 | 4 |
| 1992 | 2 | 8 |
| 1993 | 2 | 7 |
| 1994 | 4 | 10 |
| 1995 | 4 | 10 |
| 1996 | 3 | 8 |
| 1997 | 3 | 9 |
| 1998 | 2 | 10 |
| 1999 | 7 | 12 |
| 2000 | 3 | 13 |
| 2001 | 0 | 10 |
| 2002 | 5 | 8 |
| 2003 | 2 | 13 |
| 2004 | 3 | 12 |
| 2005 | 2 | 20 |
| 2006 | 2 | 15 |
| 2007 | 2 | 15 |
| 2008 | 3 | 12 |
| 2009 | 3 | 7 |
| 2010 | 5 | 2 |
| 2011 | 3 | 5 |
| 2012 | 15 | 3 |
| 2013 | 12 | 8 |
| 2014 | 15 | 5 |
| 2015 | 12 | 6 |
| 2017 | 11 | 9 |
| 2018 | 13 | 10 |
| 2019 | 7 | 7 |
| 2020 | 3 | 8 |
| 2021 | 11 | 9 |
| 2022 | 11 | 7 |
| 2023 | 11 | 5 |
| 2024 | 11 | 8 |
| 2025 | 7 | 14 |
| 2026 | 1 | 16 |
| This title (2018) | 30 | 1 |
● This title (2018): advocacy 30 · explore Crime →