Scored mixed entertainment and message on WhatSphere's content-balance model 6
Its showrunner/co-creator stated on the record that "the essential thing's the clash between social classes, That's what sets the series apart, It makes the McGuffin less artificial because it's born from that wa…" 1. Its co-creator/writer stated on the record that "we didn't try to make a Spanish series nor for that matter an international one, But we show what we see" 2. Its co-creator stated on the record that "we gave him a protagonist role and we felt in debt to Omar because he always pulled out all the stops with our show, We love his character very much and we wan…" 3. Its narrative-universality assessment registers 7 of 10 4. LGBTQ representation is assessed as central to the story 5. Taken together, the content-balance model places it mixed entertainment and message at 36 of 100 6. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for mixed-heritage and below it for Hispanic 7.
- 1Creator statementshowrunner/co-creator: "The essential thing's the clash between social classes. That's what sets the series apart. It makes the McGuffin less artificial because it's born from that warfare, organic, not the crime of a rando…"Variety, 2019 source ↗
- 2Creator statementco-creator/writer: "We didn't try to make a Spanish series nor for that matter an international one. But we show what we see."Variety, 2019 source ↗
- 3Creator statementco-creator: "We gave him a protagonist role and we felt in debt to Omar because he always pulled out all the stops with our show. We love his character very much and we wanted to give him the importance we think…"Hollywood Reporter source ↗
- 4Narrative universalityNarrative universality 7 of 10; identity centrality present.WhatSphere content assessment. Narrative universality 7/10 -> advocacy signal 33
- 5LGBTQ centralityLGBTQ centrality 3 of 5.WhatSphere content assessment
- 6Content balanceAdvocacy 36 of 100, tier mixed entertainment and message.WhatSphere content-balance model, score_version 1. Narrative universality 7/10 -> advocacy signal 33
- 7RepresentationRepresentation vs production-origin baseline: mixed-heritage 76, Hispanic 28.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 68 — leans mature
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Synopsis
When three working class kids enroll in the most exclusive school in Spain, the clash between the wealthy and the poor students leads to tragedy.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
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Advocacy Over Time in Crime
The average advocacy score of Crime titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1929 | 1 | 3 |
| 1931 | 0 | 2 |
| 1932 | 0 | 4 |
| 1937 | 0 | 2 |
| 1941 | 1 | 3 |
| 1944 | 3 | 3 |
| 1946 | 0 | 2 |
| 1948 | 0 | 2 |
| 1950 | 3 | 3 |
| 1951 | 0 | 2 |
| 1954 | 0 | 3 |
| 1955 | 0 | 2 |
| 1956 | 3 | 2 |
| 1958 | 0 | 3 |
| 1959 | 3 | 4 |
| 1960 | 0 | 3 |
| 1961 | 6 | 2 |
| 1962 | 3 | 2 |
| 1963 | 2 | 3 |
| 1964 | 6 | 2 |
| 1965 | 1 | 4 |
| 1967 | 0 | 4 |
| 1968 | 0 | 2 |
| 1969 | 1 | 5 |
| 1971 | 2 | 8 |
| 1972 | 2 | 4 |
| 1973 | 1 | 7 |
| 1974 | 3 | 5 |
| 1975 | 1 | 5 |
| 1976 | 2 | 4 |
| 1978 | 4 | 2 |
| 1980 | 0 | 3 |
| 1983 | 6 | 4 |
| 1984 | 5 | 5 |
| 1986 | 2 | 7 |
| 1987 | 2 | 7 |
| 1988 | 2 | 3 |
| 1989 | 1 | 10 |
| 1990 | 4 | 5 |
| 1991 | 5 | 4 |
| 1992 | 2 | 8 |
| 1993 | 2 | 7 |
| 1994 | 4 | 10 |
| 1995 | 4 | 10 |
| 1996 | 3 | 8 |
| 1997 | 3 | 9 |
| 1998 | 2 | 10 |
| 1999 | 7 | 12 |
| 2000 | 3 | 13 |
| 2001 | 0 | 10 |
| 2002 | 5 | 8 |
| 2003 | 2 | 13 |
| 2004 | 3 | 12 |
| 2005 | 2 | 20 |
| 2006 | 2 | 15 |
| 2007 | 2 | 15 |
| 2008 | 3 | 12 |
| 2009 | 3 | 7 |
| 2010 | 5 | 2 |
| 2011 | 3 | 5 |
| 2012 | 15 | 3 |
| 2013 | 12 | 8 |
| 2014 | 15 | 5 |
| 2015 | 12 | 6 |
| 2017 | 11 | 9 |
| 2018 | 13 | 10 |
| 2019 | 7 | 7 |
| 2020 | 3 | 8 |
| 2021 | 11 | 9 |
| 2022 | 11 | 7 |
| 2023 | 11 | 5 |
| 2024 | 11 | 8 |
| 2025 | 7 | 14 |
| 2026 | 1 | 16 |
| This title (2018) | 36 | 1 |
● This title (2018): advocacy 36 · explore Crime →