Scored entertainment-first on WhatSphere's content-balance model 4
Its director stated on the record that "this seems to me that it's a story about a guy addicted to violence, Almost a tragedy about a guy with an addiction, His addiction is violence" 1. Its actor stated on the record that "i wanted to play an action hero who gets hurt, who feels pain when he gets hit, and who carries that pain forward, I could play a far more human person than we…" 2. Its narrative-universality assessment registers 8 of 10 3. Taken together, the content-balance model places it entertainment-first at 10 of 100 4. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White 5.
- 1Creator statementdirector: "This seems to me that it's a story about a guy addicted to violence. Almost a tragedy about a guy with an addiction. His addiction is violence."SlashFilm, 2021 source ↗
- 2Creator statementactor: "I wanted to play an action hero who gets hurt, who feels pain when he gets hit, and who carries that pain forward. I could play a far more human person than we often see action leads play."SlashFilm, 2021 source ↗
- 3Narrative universalityNarrative universality 8 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 8/10 -> advocacy signal 22
- 4Content balanceAdvocacy 10 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 8/10 -> advocacy signal 22
- 5RepresentationRepresentation vs production-origin baseline: White 78.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 47 — age-balanced
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At HomeAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSynopsis
Hutch Mansell, a suburban dad, overlooked husband, nothing neighbor — a "nobody." When two thieves break into his home one night, Hutch's unknown long-simmering rage is ignited and propels him on a brutal path that will uncover dark secrets he fought to leave behind.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Action
The average advocacy score of Action titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1964 | 3 | 2 |
| 1965 | 4 | 3 |
| 1966 | 0 | 4 |
| 1968 | 2 | 2 |
| 1970 | 0 | 2 |
| 1971 | 0 | 4 |
| 1972 | 3 | 2 |
| 1973 | 2 | 9 |
| 1975 | 0 | 3 |
| 1977 | 4 | 2 |
| 1979 | 2 | 3 |
| 1980 | 4 | 5 |
| 1981 | 4 | 3 |
| 1982 | 1 | 5 |
| 1983 | 3 | 7 |
| 1984 | 4 | 11 |
| 1985 | 2 | 7 |
| 1986 | 2 | 10 |
| 1987 | 2 | 14 |
| 1988 | 1 | 4 |
| 1989 | 1 | 10 |
| 1990 | 1 | 5 |
| 1991 | 1 | 9 |
| 1992 | 2 | 8 |
| 1993 | 2 | 11 |
| 1994 | 2 | 14 |
| 1995 | 3 | 11 |
| 1996 | 1 | 9 |
| 1997 | 4 | 13 |
| 1998 | 2 | 10 |
| 1999 | 3 | 13 |
| 2000 | 1 | 11 |
| 2001 | 2 | 20 |
| 2002 | 3 | 17 |
| 2003 | 4 | 14 |
| 2004 | 3 | 19 |
| 2005 | 4 | 18 |
| 2006 | 3 | 23 |
| 2007 | 3 | 18 |
| 2008 | 3 | 22 |
| 2009 | 4 | 9 |
| 2010 | 7 | 8 |
| 2011 | 5 | 12 |
| 2012 | 9 | 10 |
| 2013 | 7 | 16 |
| 2014 | 10 | 9 |
| 2015 | 10 | 16 |
| 2016 | 20 | 9 |
| 2017 | 14 | 17 |
| 2018 | 15 | 20 |
| 2019 | 16 | 18 |
| 2020 | 14 | 13 |
| 2021 | 14 | 25 |
| 2022 | 20 | 32 |
| 2023 | 17 | 25 |
| 2024 | 12 | 32 |
| 2025 | 5 | 35 |
| 2026 | 5 | 30 |
| This title (2021) | 10 | 1 |
● This title (2021): advocacy 10 · explore Action →
Cast & Crew
Pawel Pogorzelski (director) · Ilya Naishuller (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
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