Made first for young women 1
Nausicaä of the Valley of the Wind's audience scores lean most toward young women at 74 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Asian 3. On content balance it reads entertainment-first at 2 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreyoung women 74 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: Asian 77.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 2 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 34 — leans younger
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
HBO Max
HBO Max Amazon Channel
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At HomeAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSynopsis
After a global war, the seaside kingdom known as the Valley of the Wind remains one of the last strongholds on Earth untouched by a poisonous jungle and the powerful insects that guard it. Led by the courageous Princess Nausicaä, the people of the Valley engage in an epic struggle to restore the bond between humanity and Earth.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Adventure
The average advocacy score of Adventure titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1952 | 0 | 2 |
| 1959 | 8 | 2 |
| 1960 | 0 | 2 |
| 1963 | 1 | 3 |
| 1966 | 2 | 3 |
| 1968 | 3 | 2 |
| 1972 | 2 | 4 |
| 1973 | 1 | 2 |
| 1975 | 3 | 5 |
| 1978 | 3 | 2 |
| 1979 | 3 | 2 |
| 1981 | 3 | 2 |
| 1982 | 2 | 4 |
| 1983 | 4 | 3 |
| 1984 | 2 | 8 |
| 1985 | 6 | 2 |
| 1986 | 0 | 3 |
| 1987 | 3 | 4 |
| 1988 | 0 | 2 |
| 1989 | 3 | 5 |
| 1990 | 2 | 3 |
| 1991 | 2 | 2 |
| 1992 | 0 | 2 |
| 1993 | 2 | 3 |
| 1994 | 3 | 4 |
| 1995 | 6 | 4 |
| 1996 | 0 | 3 |
| 1997 | 4 | 9 |
| 1998 | 3 | 4 |
| 1999 | 1 | 9 |
| 2000 | 2 | 9 |
| 2001 | 6 | 8 |
| 2002 | 3 | 10 |
| 2003 | 7 | 8 |
| 2004 | 4 | 11 |
| 2005 | 3 | 11 |
| 2006 | 2 | 11 |
| 2007 | 2 | 12 |
| 2008 | 4 | 7 |
| 2009 | 6 | 8 |
| 2010 | 7 | 10 |
| 2011 | 4 | 10 |
| 2012 | 11 | 6 |
| 2013 | 5 | 12 |
| 2014 | 7 | 11 |
| 2015 | 8 | 12 |
| 2016 | 8 | 12 |
| 2017 | 10 | 13 |
| 2018 | 9 | 23 |
| 2019 | 13 | 28 |
| 2020 | 9 | 19 |
| 2021 | 10 | 33 |
| 2022 | 16 | 27 |
| 2023 | 14 | 31 |
| 2024 | 8 | 36 |
| 2025 | 1 | 23 |
| 2026 | 4 | 24 |
| This title (1984) | 2 | 1 |
● This title (1984): advocacy 2 · explore Adventure →
Cast & Crew
Kazuo Komatsubara (director) · Shigeharu Shiba (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
