Made first for young women 1
Zazie dans le Métro's audience scores lean most toward young women at 69 of 100, with comparable appeal to young men 1. Its overall reach is rated mainstream — mainstream, general-audience reach 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Black and Middle Eastern 3. On content balance it reads entertainment-first at 6 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreyoung women 69 of 100 is the top quadrant, with young men 62 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated mainstream.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: White 84, Black 35, Middle Eastern 35.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 6 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 35 — leans younger
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Synopsis
A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Comedy
The average advocacy score of Comedy titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1914 | 0 | 2 |
| 1925 | 0 | 3 |
| 1931 | 2 | 2 |
| 1933 | 0 | 2 |
| 1935 | 0 | 4 |
| 1937 | 0 | 2 |
| 1940 | 2 | 4 |
| 1941 | 0 | 2 |
| 1943 | 0 | 2 |
| 1944 | 2 | 6 |
| 1945 | 0 | 4 |
| 1947 | 0 | 2 |
| 1948 | 2 | 2 |
| 1950 | 2 | 4 |
| 1951 | 0 | 2 |
| 1952 | 0 | 4 |
| 1953 | 0 | 10 |
| 1955 | 5 | 2 |
| 1956 | 3 | 3 |
| 1957 | 5 | 4 |
| 1958 | 0 | 6 |
| 1959 | 4 | 3 |
| 1960 | 2 | 5 |
| 1961 | 5 | 10 |
| 1962 | 1 | 6 |
| 1963 | 1 | 6 |
| 1964 | 3 | 8 |
| 1965 | 1 | 9 |
| 1966 | 1 | 6 |
| 1968 | 0 | 7 |
| 1969 | 6 | 5 |
| 1970 | 3 | 7 |
| 1971 | 0 | 5 |
| 1972 | 1 | 6 |
| 1973 | 1 | 9 |
| 1974 | 1 | 8 |
| 1975 | 0 | 9 |
| 1976 | 1 | 12 |
| 1977 | 4 | 7 |
| 1978 | 2 | 4 |
| 1979 | 1 | 8 |
| 1980 | 1 | 7 |
| 1981 | 1 | 9 |
| 1982 | 5 | 10 |
| 1983 | 1 | 12 |
| 1984 | 2 | 10 |
| 1985 | 3 | 14 |
| 1986 | 0 | 20 |
| 1987 | 0 | 17 |
| 1988 | 1 | 13 |
| 1989 | 2 | 24 |
| 1990 | 1 | 21 |
| 1991 | 1 | 14 |
| 1992 | 0 | 17 |
| 1993 | 1 | 20 |
| 1994 | 5 | 25 |
| 1995 | 3 | 19 |
| 1996 | 4 | 15 |
| 1997 | 2 | 22 |
| 1998 | 3 | 24 |
| 1999 | 3 | 36 |
| 2000 | 3 | 33 |
| 2001 | 1 | 31 |
| 2002 | 1 | 32 |
| 2003 | 2 | 29 |
| 2004 | 2 | 40 |
| 2005 | 4 | 41 |
| 2006 | 2 | 44 |
| 2007 | 1 | 53 |
| 2008 | 0 | 20 |
| 2009 | 4 | 18 |
| 2010 | 2 | 10 |
| 2011 | 2 | 21 |
| 2012 | 1 | 10 |
| 2013 | 10 | 13 |
| 2014 | 5 | 11 |
| 2015 | 4 | 7 |
| 2016 | 17 | 10 |
| 2017 | 6 | 7 |
| 2018 | 10 | 12 |
| 2019 | 7 | 16 |
| 2020 | 6 | 19 |
| 2021 | 9 | 19 |
| 2022 | 20 | 22 |
| 2023 | 22 | 11 |
| 2024 | 12 | 17 |
| 2025 | 2 | 23 |
| 2026 | 2 | 36 |
| This title (1960) | 6 | 1 |
● This title (1960): advocacy 6 · explore Comedy →
Cast & Crew
Richard Bigotini (director) · Olivier Gérard (director)