Made first for young men 1
Wim Helsen: Heden Soup!'s audience scores lean most toward young men at 87 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Black and Middle Eastern 3. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreyoung men 87 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: White 92, Black 35, Middle Eastern 35.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 38 — leans younger
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Synopsis
Wim Helsen Heden Soup! HOMELESS, KINGS, SAINTS AND COLD WATER FISHING: They all eat soup. Also mistresses love soup. They eat them with spoons, some dip bread in it or slurp on the edge of their soup bowl. One can of doing anything. Tomatoes, leeks, pumpkins, chicken. But loving thoughts, secret messages and mushrooms are allowed. And say nothing of balls. In mysterious faraway places there that make soup from nettles. Dogs bark for soup. One gets it warm from the inside (in his body).
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Comedy
The average advocacy score of Comedy titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1914 | 0 | 2 |
| 1925 | 0 | 3 |
| 1931 | 2 | 2 |
| 1933 | 0 | 2 |
| 1935 | 0 | 4 |
| 1937 | 0 | 2 |
| 1940 | 2 | 4 |
| 1941 | 0 | 2 |
| 1943 | 0 | 2 |
| 1944 | 2 | 6 |
| 1945 | 0 | 4 |
| 1947 | 0 | 2 |
| 1948 | 2 | 2 |
| 1950 | 2 | 4 |
| 1951 | 0 | 2 |
| 1952 | 0 | 4 |
| 1953 | 0 | 10 |
| 1955 | 5 | 2 |
| 1956 | 3 | 3 |
| 1957 | 5 | 4 |
| 1958 | 0 | 6 |
| 1959 | 4 | 3 |
| 1960 | 2 | 5 |
| 1961 | 5 | 10 |
| 1962 | 1 | 6 |
| 1963 | 1 | 6 |
| 1964 | 3 | 8 |
| 1965 | 1 | 9 |
| 1966 | 1 | 6 |
| 1968 | 0 | 7 |
| 1969 | 6 | 5 |
| 1970 | 3 | 7 |
| 1971 | 0 | 5 |
| 1972 | 1 | 6 |
| 1973 | 1 | 9 |
| 1974 | 1 | 8 |
| 1975 | 0 | 9 |
| 1976 | 1 | 12 |
| 1977 | 4 | 7 |
| 1978 | 2 | 4 |
| 1979 | 1 | 8 |
| 1980 | 1 | 7 |
| 1981 | 1 | 9 |
| 1982 | 5 | 10 |
| 1983 | 1 | 12 |
| 1984 | 2 | 10 |
| 1985 | 3 | 14 |
| 1986 | 0 | 20 |
| 1987 | 0 | 17 |
| 1988 | 1 | 13 |
| 1989 | 2 | 24 |
| 1990 | 1 | 21 |
| 1991 | 1 | 14 |
| 1992 | 0 | 17 |
| 1993 | 1 | 20 |
| 1994 | 5 | 25 |
| 1995 | 3 | 19 |
| 1996 | 4 | 15 |
| 1997 | 2 | 22 |
| 1998 | 3 | 24 |
| 1999 | 3 | 36 |
| 2000 | 3 | 33 |
| 2001 | 1 | 31 |
| 2002 | 1 | 32 |
| 2003 | 2 | 29 |
| 2004 | 2 | 40 |
| 2005 | 4 | 41 |
| 2006 | 2 | 44 |
| 2007 | 1 | 53 |
| 2008 | 0 | 20 |
| 2009 | 4 | 18 |
| 2010 | 2 | 10 |
| 2011 | 2 | 21 |
| 2012 | 1 | 10 |
| 2013 | 10 | 13 |
| 2014 | 5 | 11 |
| 2015 | 4 | 7 |
| 2016 | 17 | 10 |
| 2017 | 6 | 7 |
| 2018 | 10 | 12 |
| 2019 | 7 | 16 |
| 2020 | 6 | 19 |
| 2021 | 9 | 19 |
| 2022 | 20 | 22 |
| 2023 | 22 | 11 |
| 2024 | 12 | 17 |
| 2025 | 2 | 23 |
| 2026 | 2 | 36 |
| This title (2006) | 0 | 1 |
● This title (2006): advocacy 0 · explore Comedy →
Cast & Crew
Randall Casaer (director) · Pieter Bouwman (director) · Eric Blom (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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