Scored entertainment-first on WhatSphere's content-balance model 3
Its director stated on the record that "i'm glad that it has gotten out that that was the original intention, The world wasn't quite ready yet, It was all coming from a closeted point of view — a des…" 1. Its narrative-universality assessment registers 8 of 10 2. Taken together, the content-balance model places it entertainment-first at 7 of 100 3. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Black and mixed-heritage and below it for White and Hispanic 4.
- 1Creator statementdirector: "I'm glad that it has gotten out that that was the original intention. The world wasn't quite ready yet. It was all coming from a closeted point of view — a desire for transformation."Netflix interview via NBC News, August 2020 source ↗
- 2Narrative universalityNarrative universality 8 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 8/10 -> advocacy signal 22
- 3Content balanceAdvocacy 7 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 8/10 -> advocacy signal 22
- 4RepresentationRepresentation vs production-origin baseline: Black 81, mixed-heritage 73, White 25, Hispanic 28.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 39 — leans younger
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
YouTube TV
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Spectrum On Demand
PlexAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSynopsis
The Resistance builds in numbers as humans are freed from the Matrix and brought to the city of Zion. Neo discovers his superpowers, including the ability to see the code inside the Matrix. With machine sentinels digging to Zion in 72 hours, Neo, Morpheus and Trinity must find the Keymaker to ultimately reach the Source.
What did the audience think? Rate The Matrix Reloaded — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Adventure
The average advocacy score of Adventure titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1952 | 0 | 2 |
| 1959 | 8 | 2 |
| 1960 | 0 | 2 |
| 1963 | 1 | 3 |
| 1966 | 2 | 3 |
| 1968 | 3 | 2 |
| 1972 | 2 | 4 |
| 1973 | 1 | 2 |
| 1975 | 3 | 5 |
| 1978 | 3 | 2 |
| 1979 | 3 | 2 |
| 1981 | 3 | 2 |
| 1982 | 2 | 4 |
| 1983 | 4 | 3 |
| 1984 | 2 | 8 |
| 1985 | 6 | 2 |
| 1986 | 0 | 3 |
| 1987 | 3 | 4 |
| 1988 | 0 | 2 |
| 1989 | 3 | 5 |
| 1990 | 2 | 3 |
| 1991 | 2 | 2 |
| 1992 | 0 | 2 |
| 1993 | 2 | 3 |
| 1994 | 3 | 4 |
| 1995 | 6 | 4 |
| 1996 | 0 | 3 |
| 1997 | 4 | 9 |
| 1998 | 3 | 4 |
| 1999 | 1 | 9 |
| 2000 | 2 | 9 |
| 2001 | 6 | 8 |
| 2002 | 3 | 10 |
| 2003 | 7 | 8 |
| 2004 | 4 | 11 |
| 2005 | 3 | 11 |
| 2006 | 2 | 11 |
| 2007 | 2 | 12 |
| 2008 | 4 | 7 |
| 2009 | 6 | 8 |
| 2010 | 7 | 10 |
| 2011 | 4 | 10 |
| 2012 | 11 | 6 |
| 2013 | 5 | 12 |
| 2014 | 7 | 11 |
| 2015 | 8 | 12 |
| 2016 | 8 | 12 |
| 2017 | 10 | 13 |
| 2018 | 9 | 23 |
| 2019 | 13 | 28 |
| 2020 | 9 | 19 |
| 2021 | 10 | 33 |
| 2022 | 16 | 27 |
| 2023 | 14 | 31 |
| 2024 | 8 | 36 |
| 2025 | 1 | 23 |
| 2026 | 4 | 24 |
| This title (2003) | 7 | 1 |
● This title (2003): advocacy 7 · explore Adventure →
Cast & Crew
Michael Turner (director) · Cindi Knapton (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
