Made first for older men 1
Wild at Heart's audience scores lean most toward older men at 100 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Hispanic and Black 3. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreolder men 100 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: White 95, Hispanic 28, Black 31.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 90 — strongly mature-audience
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Amazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSynopsis
Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.
What did the audience think? Rate Wild at Heart — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Crime
The average advocacy score of Crime titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1929 | 1 | 3 |
| 1931 | 0 | 2 |
| 1932 | 0 | 4 |
| 1937 | 0 | 2 |
| 1941 | 1 | 3 |
| 1944 | 3 | 3 |
| 1946 | 0 | 2 |
| 1948 | 0 | 2 |
| 1950 | 3 | 3 |
| 1951 | 0 | 2 |
| 1954 | 0 | 3 |
| 1955 | 0 | 2 |
| 1956 | 3 | 2 |
| 1958 | 0 | 3 |
| 1959 | 3 | 4 |
| 1960 | 0 | 3 |
| 1961 | 6 | 2 |
| 1962 | 3 | 2 |
| 1963 | 2 | 3 |
| 1964 | 6 | 2 |
| 1965 | 1 | 4 |
| 1967 | 0 | 4 |
| 1968 | 0 | 2 |
| 1969 | 1 | 5 |
| 1971 | 2 | 8 |
| 1972 | 2 | 4 |
| 1973 | 1 | 7 |
| 1974 | 3 | 5 |
| 1975 | 1 | 5 |
| 1976 | 2 | 4 |
| 1978 | 4 | 2 |
| 1980 | 0 | 3 |
| 1983 | 6 | 4 |
| 1984 | 5 | 5 |
| 1986 | 2 | 7 |
| 1987 | 2 | 7 |
| 1988 | 2 | 3 |
| 1989 | 1 | 10 |
| 1990 | 4 | 5 |
| 1991 | 5 | 4 |
| 1992 | 2 | 8 |
| 1993 | 2 | 7 |
| 1994 | 4 | 10 |
| 1995 | 4 | 10 |
| 1996 | 3 | 8 |
| 1997 | 3 | 9 |
| 1998 | 2 | 10 |
| 1999 | 7 | 12 |
| 2000 | 3 | 13 |
| 2001 | 0 | 10 |
| 2002 | 5 | 8 |
| 2003 | 2 | 13 |
| 2004 | 3 | 12 |
| 2005 | 2 | 20 |
| 2006 | 2 | 15 |
| 2007 | 2 | 15 |
| 2008 | 3 | 12 |
| 2009 | 3 | 7 |
| 2010 | 5 | 2 |
| 2011 | 3 | 5 |
| 2012 | 15 | 3 |
| 2013 | 12 | 8 |
| 2014 | 15 | 5 |
| 2015 | 12 | 6 |
| 2017 | 11 | 9 |
| 2018 | 13 | 10 |
| 2019 | 7 | 7 |
| 2020 | 3 | 8 |
| 2021 | 11 | 9 |
| 2022 | 11 | 7 |
| 2023 | 11 | 5 |
| 2024 | 11 | 8 |
| 2025 | 7 | 14 |
| 2026 | 1 | 16 |
| This title (1990) | 0 | 1 |
● This title (1990): advocacy 0 · explore Crime →
Cast & Crew
Charles Myers (director) · W. Thomas Snyder (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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