Scored mixed entertainment and message on WhatSphere's content-balance model 5
Its director stated on the record that "i wanted Alice to be Japanese and had all these ideas to make the Cullen vampires more diverse, but Stephenie Meyer had really seen them in her mind and knew w…" 1. Against its source material, 1 character was race-changed — Jacob Black (Indigenous to Indigenous) 2. The adaptation scores 85 of 100 for faithfulness to that source 3. Its narrative-universality assessment registers 8 of 10 4. Taken together, the content-balance model places it mixed entertainment and message at 22 of 100 5. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Black and Hispanic 6.
- 1Creator statementdirector: "I wanted Alice to be Japanese and had all these ideas to make the Cullen vampires more diverse, but Stephenie Meyer had really seen them in her mind and knew who each character was representing. She…"IndieWire, 2018 source ↗
- 2Race change vs sourceJacob Black: indigenous in the source, indigenous here (major).Twilight novel by Stephenie Meyer — Jacob Black is Quileute tribe member
- 3FaithfulnessFaithfulness 85 of 100.WhatSphere faithfulness checklist, score_version 1
- 4Narrative universalityNarrative universality 8 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 8/10 -> advocacy signal 22
- 5Content balanceAdvocacy 22 of 100, tier mixed entertainment and message.WhatSphere content-balance model, score_version 1. Swaps: 0 race, 0 gender, 0 critical -> 0
- 6RepresentationRepresentation vs production-origin baseline: White 85, Black 31, Hispanic 33.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 36 — leans younger
Quadrant Scores
Audience Representation
Faithfulness
Advocacy
Where to Watch (US)
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Apple TV Store
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YouTube
Fandango At Home
PlexAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSource Material
| Title | Author | Type | Year | Purchase link |
|---|---|---|---|---|
| Twilight | Stephenie Meyer | novel | 2005 |
Synopsis
When Bella Swan moves to a small town in the Pacific Northwest, she falls in love with Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire. Despite Edward's repeated cautions, Bella can't stay away from him, a fatal move that endangers her own life.
What did the audience think? Rate Twilight — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
Open Library
Faithfulness 85. Copied from title_sphere_scores for display beside source lineage. Joins do not write this value.
What Changed from the Source
The production decisions behind this adaptation, as recorded — original versus on screen.
Source faithfulness: 85/100
- Jacob Black · Taylor Lautner0major
Put its audience profile side by side with any other title.
Advocacy Over Time in Romance
The average advocacy score of Romance titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1925 | 0 | 2 |
| 1931 | 1 | 3 |
| 1932 | 0 | 2 |
| 1935 | 0 | 4 |
| 1936 | 0 | 2 |
| 1939 | 9 | 2 |
| 1940 | 2 | 3 |
| 1942 | 0 | 5 |
| 1944 | 2 | 2 |
| 1945 | 1 | 3 |
| 1946 | 1 | 3 |
| 1952 | 0 | 3 |
| 1953 | 0 | 3 |
| 1955 | 3 | 3 |
| 1956 | 4 | 4 |
| 1957 | 2 | 4 |
| 1958 | 1 | 3 |
| 1959 | 5 | 2 |
| 1960 | 0 | 2 |
| 1961 | 5 | 3 |
| 1962 | 2 | 2 |
| 1963 | 0 | 2 |
| 1964 | 4 | 4 |
| 1965 | 3 | 3 |
| 1968 | 2 | 3 |
| 1970 | 0 | 2 |
| 1972 | 0 | 2 |
| 1974 | 3 | 3 |
| 1976 | 0 | 3 |
| 1978 | 4 | 2 |
| 1980 | 2 | 3 |
| 1981 | 0 | 2 |
| 1982 | 0 | 5 |
| 1983 | 2 | 4 |
| 1984 | 0 | 2 |
| 1985 | 4 | 4 |
| 1986 | 3 | 5 |
| 1987 | 4 | 5 |
| 1988 | 2 | 9 |
| 1990 | 2 | 8 |
| 1991 | 5 | 4 |
| 1992 | 1 | 5 |
| 1993 | 2 | 7 |
| 1994 | 8 | 9 |
| 1995 | 1 | 5 |
| 1996 | 4 | 9 |
| 1997 | 5 | 8 |
| 1998 | 5 | 6 |
| 1999 | 2 | 14 |
| 2000 | 3 | 18 |
| 2001 | 3 | 17 |
| 2002 | 3 | 15 |
| 2003 | 3 | 10 |
| 2004 | 3 | 16 |
| 2005 | 6 | 18 |
| 2006 | 3 | 14 |
| 2007 | 1 | 13 |
| 2008 | 3 | 7 |
| 2009 | 2 | 5 |
| 2010 | 5 | 4 |
| 2011 | 4 | 4 |
| 2012 | 0 | 4 |
| 2013 | 9 | 2 |
| 2014 | 2 | 3 |
| 2015 | 2 | 3 |
| 2016 | 7 | 6 |
| 2017 | 16 | 3 |
| 2018 | 9 | 3 |
| 2019 | 15 | 6 |
| 2020 | 15 | 2 |
| 2021 | 2 | 4 |
| 2022 | 22 | 3 |
| 2023 | 23 | 5 |
| 2024 | 2 | 4 |
| 2025 | 7 | 7 |
| 2026 | 4 | 13 |
| This title (2008) | 22 | 1 |
● This title (2008): advocacy 22 · explore Romance →
Cast & Crew
Elliot Davis (director) · Patrick Loungway (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Featured in Our Analysis
Race and Gender Swaps: What the Data Actually Shows
Across thousands of scored titles, the catalog records 31 race swaps and 2 gender swaps. Here is the full picture, with the small numbers stated plainly
ComparisonWhich Genres Are Most Gender-Balanced
Across 5,000 scored films, only one genre tilts female, and the most male-skewed genre is not the one most people name
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