Made first for older women 1
Tremulous's audience scores lean most toward older women at 76 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. On content balance it reads entertainment-first at 1 of 100, weighting storytelling over explicit messaging 3.
- 1Audience scoreolder women 76 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3Content balanceContent balance entertainment-first at 1 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Carlos sweeps and mops the floor of an old-time barbershop. The day before Independence Day, among the customers is Julio. Their eyes meet, and when the barbershop closes Julio comes back for Carlos. They spend the night together, eating, chatting and even dancing, knowing full well that this encounter will be brief and short-lived.
Age: 64 — leans mature
Quadrant Scores
Audience Representation
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Advocacy Over Time in Romance
The average advocacy score of Romance titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1925 | 0 | 2 |
| 1931 | 1 | 3 |
| 1932 | 0 | 2 |
| 1935 | 0 | 4 |
| 1936 | 0 | 2 |
| 1939 | 7 | 2 |
| 1940 | 0 | 3 |
| 1942 | 0 | 5 |
| 1944 | 2 | 2 |
| 1945 | 1 | 3 |
| 1946 | 1 | 3 |
| 1952 | 0 | 3 |
| 1953 | 0 | 3 |
| 1955 | 2 | 3 |
| 1956 | 2 | 4 |
| 1957 | 0 | 4 |
| 1958 | 1 | 3 |
| 1959 | 2 | 2 |
| 1960 | 0 | 2 |
| 1961 | 3 | 3 |
| 1962 | 2 | 2 |
| 1963 | 0 | 2 |
| 1964 | 3 | 4 |
| 1965 | 1 | 3 |
| 1968 | 2 | 3 |
| 1970 | 0 | 2 |
| 1972 | 0 | 2 |
| 1974 | 1 | 3 |
| 1976 | 0 | 3 |
| 1978 | 2 | 2 |
| 1980 | 0 | 3 |
| 1981 | 0 | 2 |
| 1982 | 0 | 5 |
| 1983 | 1 | 4 |
| 1984 | 0 | 2 |
| 1985 | 4 | 4 |
| 1986 | 1 | 5 |
| 1987 | 1 | 5 |
| 1988 | 1 | 9 |
| 1990 | 0 | 8 |
| 1991 | 1 | 4 |
| 1992 | 1 | 5 |
| 1993 | 1 | 7 |
| 1994 | 3 | 9 |
| 1995 | 0 | 5 |
| 1996 | 3 | 9 |
| 1997 | 3 | 8 |
| 1998 | 3 | 6 |
| 1999 | 2 | 14 |
| 2000 | 1 | 18 |
| 2001 | 2 | 17 |
| 2002 | 3 | 15 |
| 2003 | 1 | 10 |
| 2004 | 1 | 16 |
| 2005 | 4 | 18 |
| 2006 | 2 | 14 |
| 2007 | 1 | 13 |
| 2008 | 2 | 7 |
| 2009 | 2 | 5 |
| 2010 | 2 | 4 |
| 2011 | 2 | 4 |
| 2012 | 0 | 4 |
| 2013 | 5 | 2 |
| 2014 | 2 | 3 |
| 2015 | 2 | 3 |
| 2016 | 5 | 6 |
| 2017 | 10 | 3 |
| 2018 | 4 | 3 |
| 2019 | 12 | 6 |
| 2020 | 7 | 2 |
| 2021 | 2 | 4 |
| 2022 | 10 | 3 |
| 2023 | 20 | 5 |
| 2024 | 0 | 4 |
| 2025 | 5 | 6 |
| 2026 | 3 | 5 |
| This title (2015) | 1 | 1 |
● This title (2015): advocacy 1 · explore Romance →
Cast & Crew
Alejandro Cantú (director) · Roberto Fiesco (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
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