Made first for young women 1
Old Goodbye's audience scores lean most toward young women at 73 of 100, with comparable appeal to older women 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 3.
- 1Audience scoreyoung women 73 of 100 is the top quadrant, with older women 71 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
Soo Hyuk, a former boxer, gets a call telling him he just received a house. It’s his ex-wife Chae Hee’s house. There, Soo Hyuk finds some old Polaroid photos in the secret attic and has a time slip to the past. Chae Hee waiting for her death, and Soo Hyuk struggling to save her. The breathtaking time travel begins. Once passionately in love with her, So Hyuk travels through time to meether again at different ages and discover why he originally fell for her. He meets her when she is 10, 17 and 22. But traveling through time to revisit their romantic past is dangerous and he may risk his life to discover what he has lost.
Age: 49 — age-balanced
Quadrant Scores
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Advocacy Over Time in Fantasy
The average advocacy score of Fantasy titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1940 | 0 | 2 |
| 1970 | 0 | 2 |
| 1977 | 0 | 2 |
| 1978 | 0 | 2 |
| 1982 | 0 | 2 |
| 1984 | 1 | 6 |
| 1985 | 0 | 2 |
| 1986 | 0 | 3 |
| 1987 | 0 | 5 |
| 1988 | 1 | 5 |
| 1989 | 3 | 2 |
| 1990 | 0 | 5 |
| 1991 | 1 | 4 |
| 1992 | 3 | 4 |
| 1993 | 0 | 3 |
| 1994 | 2 | 5 |
| 1995 | 0 | 4 |
| 1996 | 0 | 2 |
| 1997 | 2 | 3 |
| 1998 | 2 | 6 |
| 1999 | 1 | 6 |
| 2000 | 0 | 4 |
| 2001 | 4 | 9 |
| 2002 | 2 | 2 |
| 2003 | 1 | 7 |
| 2004 | 5 | 6 |
| 2005 | 0 | 7 |
| 2006 | 1 | 8 |
| 2007 | 0 | 8 |
| 2008 | 4 | 7 |
| 2009 | 2 | 4 |
| 2010 | 5 | 3 |
| 2011 | 3 | 4 |
| 2013 | 7 | 5 |
| 2014 | 2 | 2 |
| 2016 | 19 | 6 |
| 2017 | 8 | 6 |
| 2018 | 6 | 3 |
| 2019 | 14 | 11 |
| 2020 | 21 | 4 |
| 2021 | 6 | 8 |
| 2022 | 15 | 15 |
| 2023 | 26 | 11 |
| 2024 | 5 | 7 |
| 2025 | 6 | 15 |
| 2026 | 15 | 7 |
| This title (2014) | 0 | 1 |
● This title (2014): advocacy 0 · explore Fantasy →
Cast & Crew
Kim Hee-won (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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