Made first for young men 1
The Lady Vanishes's audience scores lean most toward young men at 57 of 100, with comparable appeal to young women 1. Its overall reach is rated mainstream — mainstream, general-audience reach 2. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 3.
- 1Audience scoreyoung men 57 of 100 is the top quadrant, with young women 52 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated mainstream.WhatSphere audience model, score_version 1
- 3Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair sleuth, romantic sparks fly.
Age: 46 — age-balanced
Quadrant Scores
Audience Representation
Where to Watch (US)
fuboTV
HBO Max
HBO Max Amazon Channel
Criterion Channel
Fandor
Philo
IndieFlix
IndieFlix Shorts Amazon Channel
Hoopla
JustWatch TV
FlixHouse
Plex
Plex Channel
Darkroom
Public Domain Movies
Fawesome
YOW.tv
Artiflix
Amazon Video
Apple TV Store
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Advocacy Over Time in Mystery
The average advocacy score of Mystery titles by release year. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1941 | 1 | 3 |
| 1946 | 0 | 2 |
| 1947 | 0 | 3 |
| 1958 | 2 | 2 |
| 1960 | 2 | 2 |
| 1963 | 0 | 5 |
| 1964 | 2 | 3 |
| 1972 | 1 | 3 |
| 1973 | 0 | 2 |
| 1974 | 0 | 2 |
| 1976 | 0 | 3 |
| 1978 | 0 | 3 |
| 1979 | 0 | 2 |
| 1980 | 0 | 2 |
| 1982 | 0 | 4 |
| 1983 | 0 | 2 |
| 1985 | 0 | 2 |
| 1986 | 2 | 3 |
| 1987 | 1 | 3 |
| 1988 | 0 | 2 |
| 1990 | 0 | 2 |
| 1991 | 0 | 2 |
| 1992 | 4 | 3 |
| 1994 | 0 | 5 |
| 1995 | 2 | 4 |
| 1996 | 3 | 2 |
| 1997 | 1 | 5 |
| 1998 | 1 | 5 |
| 1999 | 3 | 7 |
| 2000 | 5 | 3 |
| 2001 | 2 | 7 |
| 2002 | 1 | 11 |
| 2003 | 0 | 5 |
| 2004 | 1 | 9 |
| 2005 | 0 | 9 |
| 2006 | 1 | 11 |
| 2007 | 1 | 13 |
| 2008 | 2 | 5 |
| 2009 | 2 | 4 |
| 2011 | 8 | 3 |
| 2013 | 5 | 2 |
| 2014 | 9 | 6 |
| 2015 | 15 | 2 |
| 2017 | 5 | 5 |
| 2018 | 5 | 6 |
| 2019 | 3 | 5 |
| 2020 | 2 | 8 |
| 2021 | 8 | 11 |
| 2022 | 7 | 9 |
| 2023 | 52 | 2 |
| 2024 | 10 | 5 |
| 2025 | 0 | 5 |
| 2026 | 0 | 5 |
Cast & Crew
Tom D. Connochie (director) · Albert Jullion (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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