Made first for older men 1
The Third Man's audience scores lean most toward older men at 80 of 100, with comparable appeal to young men 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 3.
- 1Audience scoreolder men 80 of 100 is the top quadrant, with young men 78 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.
Age: 51 — age-balanced
Quadrant Scores
Audience Representation
Where to Watch (US)
Amazon Prime Video
IndieFlix
Cineverse
Amazon Prime Video with Ads
BFI Player Amazon Channel
IndieFlix Shorts Amazon Channel
Kanopy
Hoopla
Plex
Plex Channel
Fawesome
Artiflix
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At HomeAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeWhat did the audience think? Rate The Third Man — every voice counts equally, no account needed. Clean reviews appear instantly.
Put its audience profile side by side with any other title.
Advocacy Over Time in Thriller
The average advocacy score of Thriller titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1942 | 0 | 2 |
| 1944 | 1 | 2 |
| 1946 | 0 | 4 |
| 1947 | 0 | 2 |
| 1948 | 0 | 2 |
| 1949 | 0 | 2 |
| 1951 | 1 | 4 |
| 1954 | 6 | 2 |
| 1955 | 0 | 2 |
| 1956 | 0 | 3 |
| 1958 | 1 | 3 |
| 1959 | 0 | 3 |
| 1960 | 2 | 2 |
| 1963 | 0 | 4 |
| 1964 | 1 | 6 |
| 1965 | 6 | 2 |
| 1967 | 0 | 2 |
| 1968 | 1 | 4 |
| 1969 | 0 | 3 |
| 1970 | 0 | 3 |
| 1971 | 0 | 6 |
| 1972 | 1 | 5 |
| 1973 | 2 | 2 |
| 1974 | 0 | 2 |
| 1975 | 2 | 5 |
| 1976 | 0 | 6 |
| 1978 | 0 | 3 |
| 1979 | 0 | 2 |
| 1980 | 2 | 2 |
| 1981 | 0 | 2 |
| 1982 | 1 | 5 |
| 1983 | 2 | 2 |
| 1984 | 2 | 6 |
| 1985 | 0 | 4 |
| 1986 | 2 | 6 |
| 1987 | 1 | 9 |
| 1988 | 2 | 2 |
| 1989 | 1 | 8 |
| 1990 | 0 | 8 |
| 1991 | 2 | 6 |
| 1992 | 2 | 6 |
| 1993 | 0 | 9 |
| 1994 | 1 | 7 |
| 1995 | 1 | 12 |
| 1996 | 2 | 11 |
| 1997 | 1 | 11 |
| 1998 | 1 | 11 |
| 1999 | 3 | 8 |
| 2000 | 2 | 12 |
| 2001 | 0 | 12 |
| 2002 | 1 | 12 |
| 2003 | 2 | 15 |
| 2004 | 0 | 14 |
| 2005 | 0 | 20 |
| 2006 | 1 | 24 |
| 2007 | 1 | 25 |
| 2008 | 1 | 17 |
| 2009 | 3 | 4 |
| 2010 | 10 | 2 |
| 2011 | 0 | 5 |
| 2012 | 4 | 4 |
| 2014 | 3 | 6 |
| 2015 | 6 | 4 |
| 2016 | 4 | 2 |
| 2017 | 4 | 5 |
| 2018 | 4 | 4 |
| 2019 | 4 | 8 |
| 2020 | 2 | 3 |
| 2021 | 10 | 6 |
| 2022 | 6 | 9 |
| 2023 | 8 | 7 |
| 2024 | 8 | 16 |
| 2025 | 1 | 18 |
| 2026 | 0 | 3 |
| This title (1949) | 0 | 1 |
● This title (1949): advocacy 0 · explore Thriller →
Cast & Crew
Robert Krasker (director) · James Sawyer (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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