Made first for young men 1
Pinocchio's audience scores lean most toward young men at 100 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. As an adaptation it scores 81 of 100 for faithfulness, a closely faithful treatment of its source material 3. On content balance it reads entertainment-first at 14 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreyoung men 100 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3FaithfulnessFaithfulness 81 of 100 — a closely faithful adaptation.WhatSphere faithfulness checklist, score_version 1
- 4Content balanceContent balance entertainment-first at 14 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
A wooden puppet embarks on a thrilling adventure to become a real boy.
Age: 22 — strongly youth-oriented
Quadrant Scores
Audience Representation
Disney PlusSource Material
| Title | Author | Type | Year | Purchase link |
|---|---|---|---|---|
| Pinocchio (1940 Disney animated film) | Walt Disney Productions | remake | 1940 |
What did the audience think? Rate Pinocchio — every voice counts equally, no account needed. Clean reviews appear instantly.
What Changed from the Source
The production decisions behind this adaptation, as recorded — original versus on screen.
Source faithfulness: 81/100
- Blue Fairy · Cynthia ErivoWhiteBlack0minor
Put its audience profile side by side with any other title.
Advocacy Over Time in Fantasy
The average advocacy score of Fantasy titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1940 | 0 | 2 |
| 1970 | 0 | 2 |
| 1977 | 0 | 2 |
| 1978 | 0 | 2 |
| 1982 | 0 | 2 |
| 1984 | 1 | 6 |
| 1985 | 0 | 2 |
| 1986 | 0 | 3 |
| 1987 | 0 | 5 |
| 1988 | 1 | 5 |
| 1989 | 3 | 2 |
| 1990 | 0 | 5 |
| 1991 | 1 | 4 |
| 1992 | 3 | 4 |
| 1993 | 0 | 3 |
| 1994 | 2 | 5 |
| 1995 | 0 | 4 |
| 1996 | 0 | 2 |
| 1997 | 2 | 3 |
| 1998 | 2 | 6 |
| 1999 | 1 | 6 |
| 2000 | 0 | 4 |
| 2001 | 4 | 9 |
| 2002 | 2 | 2 |
| 2003 | 1 | 7 |
| 2004 | 5 | 6 |
| 2005 | 0 | 7 |
| 2006 | 1 | 8 |
| 2007 | 0 | 8 |
| 2008 | 4 | 7 |
| 2009 | 2 | 4 |
| 2010 | 5 | 3 |
| 2011 | 3 | 4 |
| 2013 | 7 | 5 |
| 2014 | 2 | 2 |
| 2016 | 10 | 6 |
| 2017 | 8 | 6 |
| 2018 | 6 | 3 |
| 2019 | 9 | 11 |
| 2020 | 7 | 3 |
| 2021 | 6 | 8 |
| 2022 | 13 | 15 |
| 2023 | 20 | 10 |
| 2024 | 5 | 6 |
| 2025 | 0 | 11 |
| 2026 | 17 | 3 |
| This title (2022) | 14 | 1 |
● This title (2022): advocacy 14 · explore Fantasy →
Cast & Crew
Ashley Lamont (director) · Doug J. Meerdink (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
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