Scored entertainment-first on WhatSphere's content-balance model 4
Its director stated on the record that "outsiders who first discover they're different as their bodies mature during adolescence, who long to be normal but instead become scapegoats in a fearful soci…" 1. Its director stated on the record that "the central theme of the X-Men universe is living in a world that hates and fears you, They all had to deal with isolation and being outcasts, and they all fou…" 2. Its writer stated on the record that "it was the most personal movie I've ever written, It was a time in my life I had just gotten divorced… where what Professor Xavier was going through in that mo…" 3. Taken together, the content-balance model places it entertainment-first at 12 of 100 4. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Hispanic and Black 5.
- 1Creator statementdirector: "Outsiders who first discover they're different as their bodies mature during adolescence, who long to be normal but instead become scapegoats in a fearful society in which laws are passed to identify…"Out Magazine, May 2014 source ↗
- 2Creator statementdirector: "The central theme of the X-Men universe is living in a world that hates and fears you. They all had to deal with isolation and being outcasts, and they all found each other."Out.com, April 2014 source ↗
- 3Creator statementwriter: "It was the most personal movie I've ever written. It was a time in my life I had just gotten divorced… where what Professor Xavier was going through in that movie, a man who needed to find hope again…"Syfy Wire source ↗
- 4Content balanceAdvocacy 12 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1
- 5RepresentationRepresentation vs production-origin baseline: White 68, Hispanic 30, Black 31.WhatSphere representation model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
The ultimate X-Men ensemble fights a war for the survival of the species across two time periods as they join forces with their younger selves in an epic battle that must change the past – to save our future.
Age: 41 — leans younger
Quadrant Scores
Audience Representation
Where to Watch (US)
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Put its audience profile side by side with any other title.
Advocacy Over Time in Action
The average advocacy score of Action titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1964 | 0 | 2 |
| 1965 | 4 | 3 |
| 1966 | 0 | 4 |
| 1968 | 2 | 2 |
| 1970 | 0 | 2 |
| 1971 | 0 | 4 |
| 1972 | 0 | 2 |
| 1973 | 1 | 9 |
| 1975 | 0 | 3 |
| 1977 | 2 | 2 |
| 1979 | 0 | 3 |
| 1980 | 3 | 5 |
| 1981 | 0 | 3 |
| 1982 | 0 | 5 |
| 1983 | 0 | 7 |
| 1984 | 2 | 11 |
| 1985 | 0 | 7 |
| 1986 | 2 | 10 |
| 1987 | 1 | 14 |
| 1988 | 0 | 4 |
| 1989 | 0 | 10 |
| 1990 | 0 | 5 |
| 1991 | 0 | 9 |
| 1992 | 1 | 8 |
| 1993 | 0 | 11 |
| 1994 | 2 | 14 |
| 1995 | 1 | 11 |
| 1996 | 0 | 9 |
| 1997 | 2 | 13 |
| 1998 | 0 | 10 |
| 1999 | 1 | 13 |
| 2000 | 1 | 11 |
| 2001 | 1 | 20 |
| 2002 | 1 | 17 |
| 2003 | 2 | 14 |
| 2004 | 2 | 19 |
| 2005 | 3 | 18 |
| 2006 | 1 | 23 |
| 2007 | 1 | 18 |
| 2008 | 2 | 22 |
| 2009 | 2 | 9 |
| 2010 | 3 | 8 |
| 2011 | 3 | 12 |
| 2012 | 5 | 10 |
| 2013 | 4 | 16 |
| 2014 | 6 | 9 |
| 2015 | 7 | 16 |
| 2016 | 15 | 9 |
| 2017 | 9 | 17 |
| 2018 | 9 | 20 |
| 2019 | 11 | 18 |
| 2020 | 10 | 13 |
| 2021 | 10 | 25 |
| 2022 | 15 | 32 |
| 2023 | 12 | 25 |
| 2024 | 8 | 31 |
| 2025 | 4 | 35 |
| 2026 | 8 | 16 |
| This title (2014) | 12 | 1 |
● This title (2014): advocacy 12 · explore Action →
Cast & Crew
Bryan Singer (director) · Jan Philip Cramer (director)