Made first for young women 1
There's Something About Mary's audience scores lean most toward young women at 62 of 100, with comparable appeal to older women 1. Its overall reach is rated mainstream — mainstream, general-audience reach 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for mixed-heritage and White and below it for Hispanic 3. On content balance it reads entertainment-first at 2 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreyoung women 62 of 100 is the top quadrant, with older women 62 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated mainstream.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: mixed-heritage 73, White 67, Hispanic 28.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 2 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
For Ted, prom night went about as bad as it’s possible for any night to go. Thirteen years later, he finally gets another chance with his old prom date, only to run up against other suitors including the sleazy detective he hired to find her.
Age: 50 — age-balanced
Quadrant Scores
Audience Representation
Where to Watch (US)
Hulu
fuboTV
YouTube TV
FXNow
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At HomeAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeWhat did the audience think? Rate There's Something About Mary — every voice counts equally, no account needed. Clean reviews appear instantly.
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Advocacy Over Time in Romance
The average advocacy score of Romance titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1925 | 0 | 2 |
| 1931 | 1 | 3 |
| 1932 | 0 | 2 |
| 1935 | 0 | 4 |
| 1936 | 0 | 2 |
| 1939 | 7 | 2 |
| 1940 | 0 | 3 |
| 1942 | 0 | 5 |
| 1944 | 2 | 2 |
| 1945 | 1 | 3 |
| 1946 | 1 | 3 |
| 1952 | 0 | 3 |
| 1953 | 0 | 3 |
| 1955 | 2 | 3 |
| 1956 | 2 | 4 |
| 1957 | 0 | 4 |
| 1958 | 1 | 3 |
| 1959 | 2 | 2 |
| 1960 | 0 | 2 |
| 1961 | 3 | 3 |
| 1962 | 2 | 2 |
| 1963 | 0 | 2 |
| 1964 | 3 | 4 |
| 1965 | 1 | 3 |
| 1968 | 2 | 3 |
| 1970 | 0 | 2 |
| 1972 | 0 | 2 |
| 1974 | 1 | 3 |
| 1976 | 0 | 3 |
| 1978 | 2 | 2 |
| 1980 | 0 | 3 |
| 1981 | 0 | 2 |
| 1982 | 0 | 5 |
| 1983 | 1 | 4 |
| 1984 | 0 | 2 |
| 1985 | 4 | 4 |
| 1986 | 1 | 5 |
| 1987 | 1 | 5 |
| 1988 | 1 | 9 |
| 1990 | 0 | 8 |
| 1991 | 1 | 4 |
| 1992 | 1 | 5 |
| 1993 | 1 | 7 |
| 1994 | 3 | 9 |
| 1995 | 0 | 5 |
| 1996 | 3 | 9 |
| 1997 | 3 | 8 |
| 1998 | 3 | 6 |
| 1999 | 2 | 14 |
| 2000 | 1 | 18 |
| 2001 | 2 | 17 |
| 2002 | 3 | 15 |
| 2003 | 1 | 10 |
| 2004 | 1 | 16 |
| 2005 | 4 | 18 |
| 2006 | 2 | 14 |
| 2007 | 1 | 13 |
| 2008 | 2 | 7 |
| 2009 | 2 | 5 |
| 2010 | 2 | 4 |
| 2011 | 2 | 4 |
| 2012 | 0 | 4 |
| 2013 | 5 | 2 |
| 2014 | 2 | 3 |
| 2015 | 2 | 3 |
| 2016 | 5 | 6 |
| 2017 | 10 | 3 |
| 2018 | 4 | 3 |
| 2019 | 12 | 6 |
| 2020 | 7 | 2 |
| 2021 | 2 | 4 |
| 2022 | 10 | 3 |
| 2023 | 20 | 5 |
| 2024 | 0 | 4 |
| 2025 | 5 | 6 |
| 2026 | 3 | 5 |
| This title (1998) | 2 | 1 |
● This title (1998): advocacy 2 · explore Romance →
Cast & Crew
Hal Olofsson (director) · Josh Klausner (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
