Made first for older women 1
The Notebook's audience scores lean most toward older women at 93 of 100, with comparable appeal to young women 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. As an adaptation it scores 89 of 100 for faithfulness, a closely faithful treatment of its source material 3. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Hispanic and Black 4. On content balance it reads entertainment-first at 8 of 100, weighting storytelling over explicit messaging 5.
- 1Audience scoreolder women 93 of 100 is the top quadrant, with young women 86 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3FaithfulnessFaithfulness 89 of 100 — a closely faithful adaptation.WhatSphere faithfulness checklist, score_version 1
- 4RepresentationRepresentation vs production-origin baseline: White 69, Hispanic 28, Black 32.WhatSphere representation model, score_version 1
- 5Content balanceContent balance entertainment-first at 8 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Synopsis
An epic love story centered around an older man who reads aloud to a woman with Alzheimer's. From a faded notebook, the old man's words bring to life the story about a couple who is separated by World War II, and is then passionately reunited, seven years later, after they have taken different paths.
Age: 54 — age-balanced
Quadrant Scores
Audience Representation
Where to Watch (US)
Source Material
| Title | Author | Type | Year | Purchase link |
|---|---|---|---|---|
| The Notebook | Nicholas Sparks | novel | 1996 |
What did the audience think? Rate The Notebook — every voice counts equally, no account needed. Clean reviews appear instantly.
What Changed from the Source
The production decisions behind this adaptation, as recorded — original versus on screen.
Source faithfulness: 89/100
Put its audience profile side by side with any other title.
Advocacy Over Time in Romance
The average advocacy score of Romance titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1925 | 0 | 2 |
| 1931 | 1 | 3 |
| 1932 | 0 | 2 |
| 1935 | 0 | 4 |
| 1936 | 0 | 2 |
| 1939 | 7 | 2 |
| 1940 | 0 | 3 |
| 1942 | 0 | 5 |
| 1944 | 2 | 2 |
| 1945 | 1 | 3 |
| 1946 | 1 | 3 |
| 1952 | 0 | 3 |
| 1953 | 0 | 3 |
| 1955 | 2 | 3 |
| 1956 | 2 | 4 |
| 1957 | 0 | 4 |
| 1958 | 1 | 3 |
| 1959 | 2 | 2 |
| 1960 | 0 | 2 |
| 1961 | 3 | 3 |
| 1962 | 2 | 2 |
| 1963 | 0 | 2 |
| 1964 | 3 | 4 |
| 1965 | 1 | 3 |
| 1968 | 2 | 3 |
| 1970 | 0 | 2 |
| 1972 | 0 | 2 |
| 1974 | 1 | 3 |
| 1976 | 0 | 3 |
| 1978 | 2 | 2 |
| 1980 | 0 | 3 |
| 1981 | 0 | 2 |
| 1982 | 0 | 5 |
| 1983 | 1 | 4 |
| 1984 | 0 | 2 |
| 1985 | 4 | 4 |
| 1986 | 1 | 5 |
| 1987 | 1 | 5 |
| 1988 | 1 | 9 |
| 1990 | 0 | 8 |
| 1991 | 1 | 4 |
| 1992 | 1 | 5 |
| 1993 | 1 | 7 |
| 1994 | 3 | 9 |
| 1995 | 0 | 5 |
| 1996 | 2 | 9 |
| 1997 | 3 | 8 |
| 1998 | 3 | 6 |
| 1999 | 2 | 14 |
| 2000 | 1 | 18 |
| 2001 | 2 | 17 |
| 2002 | 3 | 15 |
| 2003 | 1 | 10 |
| 2004 | 1 | 16 |
| 2005 | 4 | 18 |
| 2006 | 2 | 14 |
| 2007 | 1 | 13 |
| 2008 | 2 | 7 |
| 2009 | 2 | 5 |
| 2010 | 2 | 4 |
| 2011 | 2 | 4 |
| 2012 | 0 | 4 |
| 2013 | 5 | 2 |
| 2014 | 2 | 3 |
| 2015 | 2 | 3 |
| 2016 | 5 | 6 |
| 2017 | 10 | 3 |
| 2018 | 4 | 3 |
| 2019 | 4 | 6 |
| 2020 | 7 | 2 |
| 2021 | 2 | 4 |
| 2022 | 10 | 3 |
| 2023 | 16 | 5 |
| 2024 | 0 | 4 |
| 2025 | 2 | 3 |
| 2026 | 0 | 3 |
| This title (2004) | 8 | 1 |
● This title (2004): advocacy 8 · explore Romance →
Cast & Crew
Nick Cassavetes (director) · Robert Fraisse (director)
Featured in Our Analysis
Faithfulness vs Advocacy: Adaptations by the Numbers
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Across 5,000 scored films, only one genre tilts female, and the most male-skewed genre is not the one most people name