A broad-audience title 1
Seven Wonders of the Ancient World scores evenly across all four core demographics, with no single age-and-gender group emerging as its primary audience 1. Its overall reach is rated mass-market — mass-market reach across most demographics 2. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 3.
- 1Audience scoreQuadrant scores young men 53, older men 51, young women 49, older women 47 — within 6 points.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated mass_market.WhatSphere audience model, score_version 1
- 3Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 49 — age-balanced
Quadrant Scores
Audience Representation
Racial audience not shown
Not enough of the cast has a researched race to score this honestly.
Why this is blank
Racial audience scores need at least half the actor cast classified. Below that line the page shows this note instead of a number. A blank is not a score of zero.
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
What did the audience think? Rate Seven Wonders of the Ancient World — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Documentary
The average advocacy score of Documentary titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1905 | 0 | 5 |
| 1938 | 5 | 2 |
| 1967 | 3 | 2 |
| 1968 | 5 | 2 |
| 1970 | 2 | 3 |
| 1971 | 0 | 2 |
| 1974 | 0 | 3 |
| 1975 | 6 | 3 |
| 1985 | 0 | 2 |
| 1989 | 0 | 3 |
| 1990 | 0 | 2 |
| 1992 | 0 | 3 |
| 1994 | 0 | 3 |
| 1996 | 0 | 4 |
| 1997 | 0 | 5 |
| 1999 | 2 | 7 |
| 2001 | 1 | 3 |
| 2002 | 1 | 11 |
| 2003 | 2 | 15 |
| 2004 | 1 | 9 |
| 2005 | 3 | 11 |
| 2006 | 1 | 20 |
| 2007 | 2 | 9 |
| 2008 | 2 | 13 |
| 2009 | 0 | 5 |
| 2010 | 0 | 2 |
| 2011 | 0 | 9 |
| 2012 | 0 | 3 |
| 2013 | 1 | 8 |
| 2014 | 0 | 5 |
| 2015 | 0 | 3 |
| 2018 | 2 | 12 |
| 2019 | 0 | 7 |
| 2020 | 1 | 17 |
| 2021 | 3 | 6 |
| 2022 | 11 | 2 |
| This title (2020) | 0 | 1 |
● This title (2020): advocacy 0 · explore Documentary →
Cast & Crew
Leesa Rumley (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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