Made first for young men 1
Ali: Fear Eats the Soul's audience scores lean most toward young men at 56 of 100, with comparable appeal to older men and young women 1. Its overall reach is rated mass-market — mass-market reach across most demographics 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for Middle Eastern 3. On content balance it reads entertainment-first at 6 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreyoung men 56 of 100 is the top quadrant, with older men 51 and young women 49 close behind.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated mass_market.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: Middle Eastern 72.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 6 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 48 — age-balanced
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
HBO Max
HBO Max Amazon Channel
Criterion Channel
Amazon Video
Apple TV Store
Fandango At HomeAmazon VideoApple TV StoreFandango At HomeSynopsis
Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.
What did the audience think? Rate Ali: Fear Eats the Soul — every voice counts equally, no account needed. Clean reviews appear instantly.
Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Romance
The average advocacy score of Romance titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1925 | 0 | 2 |
| 1931 | 1 | 3 |
| 1932 | 0 | 2 |
| 1935 | 0 | 4 |
| 1936 | 0 | 2 |
| 1939 | 9 | 2 |
| 1940 | 2 | 3 |
| 1942 | 0 | 5 |
| 1944 | 2 | 2 |
| 1945 | 1 | 3 |
| 1946 | 1 | 3 |
| 1952 | 0 | 3 |
| 1953 | 0 | 3 |
| 1955 | 3 | 3 |
| 1956 | 4 | 4 |
| 1957 | 2 | 4 |
| 1958 | 1 | 3 |
| 1959 | 5 | 2 |
| 1960 | 0 | 2 |
| 1961 | 5 | 3 |
| 1962 | 2 | 2 |
| 1963 | 0 | 2 |
| 1964 | 4 | 4 |
| 1965 | 3 | 3 |
| 1968 | 2 | 3 |
| 1970 | 0 | 2 |
| 1972 | 0 | 2 |
| 1974 | 3 | 3 |
| 1976 | 0 | 3 |
| 1978 | 4 | 2 |
| 1980 | 2 | 3 |
| 1981 | 0 | 2 |
| 1982 | 0 | 5 |
| 1983 | 2 | 4 |
| 1984 | 0 | 2 |
| 1985 | 4 | 4 |
| 1986 | 3 | 5 |
| 1987 | 4 | 5 |
| 1988 | 2 | 9 |
| 1990 | 2 | 8 |
| 1991 | 5 | 4 |
| 1992 | 1 | 5 |
| 1993 | 2 | 7 |
| 1994 | 8 | 9 |
| 1995 | 1 | 5 |
| 1996 | 4 | 9 |
| 1997 | 5 | 8 |
| 1998 | 5 | 6 |
| 1999 | 2 | 14 |
| 2000 | 3 | 18 |
| 2001 | 3 | 17 |
| 2002 | 3 | 15 |
| 2003 | 3 | 10 |
| 2004 | 3 | 16 |
| 2005 | 6 | 18 |
| 2006 | 3 | 14 |
| 2007 | 1 | 13 |
| 2008 | 3 | 7 |
| 2009 | 2 | 5 |
| 2010 | 5 | 4 |
| 2011 | 4 | 4 |
| 2012 | 0 | 4 |
| 2013 | 9 | 2 |
| 2014 | 2 | 3 |
| 2015 | 2 | 3 |
| 2016 | 7 | 6 |
| 2017 | 16 | 3 |
| 2018 | 9 | 3 |
| 2019 | 15 | 6 |
| 2020 | 15 | 2 |
| 2021 | 2 | 4 |
| 2022 | 22 | 3 |
| 2023 | 23 | 5 |
| 2024 | 2 | 4 |
| 2025 | 7 | 7 |
| 2026 | 4 | 13 |
| This title (1974) | 6 | 1 |
● This title (1974): advocacy 6 · explore Romance →
Cast & Crew
Rainer Werner Fassbinder (director) · Jürgen Jürges (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
