Audience evidenceThe verdict — who this is for, by the receipts

Made first for older men 1

Rowing with the Wind's audience scores lean most toward older men at 62 of 100, with comparable appeal to older women 1. Its overall reach is rated mainstream — mainstream, general-audience reach 2. On content balance it reads entertainment-first at 3 of 100, weighting storytelling over explicit messaging 3.

The receipts — every claim above is sourced
  1. 1
    Audience scoreolder men 62 of 100 is the top quadrant, with older women 60 close behind.WhatSphere audience model, score_version 1
  2. 2
    ReachAudience breadth rated mainstream.WhatSphere audience model, score_version 1
  3. 3
    Content balanceContent balance entertainment-first at 3 of 100.WhatSphere content-balance model, score_version 1

WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.

Data updated March 29, 2026Scored, pending verification.Think a score is wrong? Submit a correction.
Primary audienceOlder MenOlder Men62
Young MaleYoung FemaleMature MaleMature Female
Primary audienceOlder Men
Mainstream

Quadrant Scores

Young Men
40
Young Women
38
Older Men
62
Older Women
60
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Audience Representation

Racial audience not shown

Not enough of the cast has a researched race to score this honestly (44% classified).

Why this is blank

Racial audience scores need at least half the actor cast classified. Below that line the page shows this note instead of a number. A blank is not a score of zero.

LGBTQ+
13

Faithfulness

Faithfulness not applicable

Faithfulness is scored only for adaptations.

Why this is blank

An original has no source text to compare. The score is left blank rather than shown as zero.

Advocacy

Advocacy3
Entertainment

Synopsis

In the summer of 1816, Percy Shelley, his mistress Mary, and her stepsister Claire visit Lord Byron at Lake Geneva. Byron challenges each to write a horror story, and Mary begins her novel, Frankenstein. She imagines the monster becoming real, and for the next six years, as tragedy befalls those around her, she believes the personification of her imagination is the cause. Against this backdrop, Claire has Byron's baby then is estranged from him and barred from her daughter. Byron and Percy continue their friendship, the one self-centered and decadent, the other wildly idealistic. The Shelleys take up residence near Pisa.

Score version: v1Data confidence: 45%How are scores calculated?

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Lineage and popularity

No lineage or popularity yet

This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.

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Advocacy Over Time in Horror

The average advocacy score of Horror titles by release year, with this title marked. Higher is more advocacy-driven.

25507519322026
Average advocacy score of Horror titles by release year
YearAverage advocacyTitles
193232
196302
197062
197214
197333
197542
197602
197732
197805
1979104
198043
198114
198204
198402
198532
198703
198822
199002
199202
199523
199632
199726
199802
199915
200015
200109
200218
200345
2004210
200529
200639
200717
200825
201053
201683
2017142
2018122
201963
2020263
20221210
202385
2024129
2025218
2026426
This title (1988)31

● This title (1988): advocacy 3 · explore Horror →

Cast & Crew

Gonzalo Suárez (director) · Carlos Suárez (director)