Made first for young women 1
Roman Holiday's audience scores lean most toward young women at 73 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. Relative to the expected cast make-up for its production origin, on-screen representation registers above the baseline for White and below it for Black and Hispanic 3. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 4.
- 1Audience scoreyoung women 73 of 100 is the top quadrant.WhatSphere audience model, score_version 1
- 2ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
- 3RepresentationRepresentation vs production-origin baseline: White 95, Black 26, Hispanic 28.WhatSphere representation model, score_version 1
- 4Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 41 — leans younger
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Where to Watch (US)
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Paramount+ Amazon Channel
Paramount+ Roku Premium Channel
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Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
JustWatch TV
Spectrum On DemandAmazon VideoApple TV StoreGoogle Play MoviesYouTubeFandango At HomeSynopsis
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Romance
The average advocacy score of Romance titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1925 | 0 | 2 |
| 1931 | 1 | 3 |
| 1932 | 0 | 2 |
| 1935 | 0 | 4 |
| 1936 | 0 | 2 |
| 1939 | 9 | 2 |
| 1940 | 2 | 3 |
| 1942 | 0 | 5 |
| 1944 | 2 | 2 |
| 1945 | 1 | 3 |
| 1946 | 1 | 3 |
| 1952 | 0 | 3 |
| 1953 | 0 | 3 |
| 1955 | 3 | 3 |
| 1956 | 4 | 4 |
| 1957 | 2 | 4 |
| 1958 | 1 | 3 |
| 1959 | 5 | 2 |
| 1960 | 0 | 2 |
| 1961 | 5 | 3 |
| 1962 | 2 | 2 |
| 1963 | 0 | 2 |
| 1964 | 4 | 4 |
| 1965 | 3 | 3 |
| 1968 | 2 | 3 |
| 1970 | 0 | 2 |
| 1972 | 0 | 2 |
| 1974 | 3 | 3 |
| 1976 | 0 | 3 |
| 1978 | 4 | 2 |
| 1980 | 2 | 3 |
| 1981 | 0 | 2 |
| 1982 | 0 | 5 |
| 1983 | 2 | 4 |
| 1984 | 0 | 2 |
| 1985 | 4 | 4 |
| 1986 | 3 | 5 |
| 1987 | 4 | 5 |
| 1988 | 2 | 9 |
| 1990 | 2 | 8 |
| 1991 | 5 | 4 |
| 1992 | 1 | 5 |
| 1993 | 2 | 7 |
| 1994 | 8 | 9 |
| 1995 | 1 | 5 |
| 1996 | 4 | 9 |
| 1997 | 5 | 8 |
| 1998 | 5 | 6 |
| 1999 | 2 | 14 |
| 2000 | 3 | 18 |
| 2001 | 3 | 17 |
| 2002 | 3 | 15 |
| 2003 | 3 | 10 |
| 2004 | 3 | 16 |
| 2005 | 6 | 18 |
| 2006 | 3 | 14 |
| 2007 | 1 | 13 |
| 2008 | 3 | 7 |
| 2009 | 2 | 5 |
| 2010 | 5 | 4 |
| 2011 | 4 | 4 |
| 2012 | 0 | 4 |
| 2013 | 9 | 2 |
| 2014 | 2 | 3 |
| 2015 | 2 | 3 |
| 2016 | 7 | 6 |
| 2017 | 16 | 3 |
| 2018 | 9 | 3 |
| 2019 | 15 | 6 |
| 2020 | 15 | 2 |
| 2021 | 2 | 4 |
| 2022 | 22 | 3 |
| 2023 | 23 | 5 |
| 2024 | 2 | 4 |
| 2025 | 7 | 7 |
| 2026 | 4 | 13 |
| This title (1953) | 0 | 1 |
● This title (1953): advocacy 0 · explore Romance →
Cast & Crew
Franz Planer (director) · Henri Alekan (director)
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
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