Scored entertainment-first on WhatSphere's content-balance model 3
Its showrunner stated on the record that "we had the benefit of having a very diverse writers' room, the most diverse I've been a part of, Majority female, Having worked in TV for 11 years, I've never…" 1. Its narrative-universality assessment registers 8 of 10 2. Taken together, the content-balance model places it entertainment-first at 11 of 100 3.
- 1Creator statementshowrunner: "We had the benefit of having a very diverse writers' room, the most diverse I've been a part of. Majority female. Having worked in TV for 11 years, I've never been in a room that diverse. You are sen…"SYFY Wire, 2021 (set visit interview) source ↗
- 2Narrative universalityNarrative universality 8 of 10; identity centrality incidental.WhatSphere content assessment. Narrative universality 8/10 -> advocacy signal 22
- 3Content balanceAdvocacy 11 of 100, tier entertainment-first.WhatSphere content-balance model, score_version 1. Narrative universality 8/10 -> advocacy signal 22
WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.
Age: 48 — age-balanced
Quadrant Scores
Audience Representation
Faithfulness
Faithfulness not applicable
Faithfulness is scored only for adaptations.
Why this is blank
An original has no source text to compare. The score is left blank rather than shown as zero.
Advocacy
Netflix
Netflix Standard with AdsSynopsis
As the world's first generation of superheroes (who received their powers in the 1930s) become the revered elder guard in the present, their superpowered children struggle to live up to the legendary feats of their parents.
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Lineage and popularity
No lineage or popularity yet
This title has no Wikidata match, source work, or Steam player snapshot. A missing snapshot is not zero.
Put its audience profile side by side with any other title.
Advocacy Over Time in Action
The average advocacy score of Action titles by release year, with this title marked. Higher is more advocacy-driven.
| Year | Average advocacy | Titles |
|---|---|---|
| 1964 | 3 | 2 |
| 1965 | 4 | 3 |
| 1966 | 0 | 4 |
| 1968 | 2 | 2 |
| 1970 | 0 | 2 |
| 1971 | 0 | 4 |
| 1972 | 3 | 2 |
| 1973 | 2 | 9 |
| 1975 | 0 | 3 |
| 1977 | 4 | 2 |
| 1979 | 2 | 3 |
| 1980 | 4 | 5 |
| 1981 | 4 | 3 |
| 1982 | 1 | 5 |
| 1983 | 3 | 7 |
| 1984 | 4 | 11 |
| 1985 | 2 | 7 |
| 1986 | 2 | 10 |
| 1987 | 2 | 14 |
| 1988 | 1 | 4 |
| 1989 | 1 | 10 |
| 1990 | 1 | 5 |
| 1991 | 1 | 9 |
| 1992 | 2 | 8 |
| 1993 | 2 | 11 |
| 1994 | 2 | 14 |
| 1995 | 3 | 11 |
| 1996 | 1 | 9 |
| 1997 | 4 | 13 |
| 1998 | 2 | 10 |
| 1999 | 3 | 13 |
| 2000 | 1 | 11 |
| 2001 | 2 | 20 |
| 2002 | 3 | 17 |
| 2003 | 4 | 14 |
| 2004 | 3 | 19 |
| 2005 | 4 | 18 |
| 2006 | 3 | 23 |
| 2007 | 3 | 18 |
| 2008 | 3 | 22 |
| 2009 | 4 | 9 |
| 2010 | 7 | 8 |
| 2011 | 5 | 12 |
| 2012 | 9 | 10 |
| 2013 | 7 | 16 |
| 2014 | 10 | 9 |
| 2015 | 10 | 16 |
| 2016 | 20 | 9 |
| 2017 | 14 | 17 |
| 2018 | 15 | 20 |
| 2019 | 16 | 18 |
| 2020 | 14 | 13 |
| 2021 | 14 | 25 |
| 2022 | 20 | 32 |
| 2023 | 17 | 25 |
| 2024 | 12 | 32 |
| 2025 | 5 | 35 |
| 2026 | 5 | 30 |
| This title (2021) | 11 | 1 |
● This title (2021): advocacy 11 · explore Action →
Cast & Crew
Made for the Same Audience
Titles with the closest audience-sphere profile — not just the same genre.
Same Audience, Lower Advocacy
Made for a similar audience but scored lower on advocacy — the closest less-message-driven picks, ranked by audience-sphere proximity.
Related Titles
