Audience evidenceThe verdict — who this is for, by the receipts

Made first for young men 1

Coldplay: Live 2003's audience scores lean most toward young men at 74 of 100 1. Its overall reach is rated targeted — targeted reach aimed at a specific demographic segment 2. On content balance it reads entertainment-first at 0 of 100, weighting storytelling over explicit messaging 3.

The receipts — every claim above is sourced
  1. 1
    Audience scoreyoung men 74 of 100 is the top quadrant.WhatSphere audience model, score_version 1
  2. 2
    ReachAudience breadth rated targeted.WhatSphere audience model, score_version 1
  3. 3
    Content balanceContent balance entertainment-first at 0 of 100.WhatSphere content-balance model, score_version 1

WhatSphere presents the sourced record; it does not cast the judgement. Every statement above is drawn from a stored, sourced row — shown beside it — and nothing is asserted beyond what those receipts support.

Data updated March 29, 2026Scored, pending verification.Think a score is wrong? Submit a correction.

Synopsis

On tour promoting their 2002 studio album ‘A Rush of Blood to the Head’, English pop rock band Coldplay performs a live show at the Hordern Pavilion in Sydney, Australia in July 2003.

Young MaleYoung FemaleMature MaleMature Female
Primary audienceYoung Men
Targeted

Quadrant Scores

Young Men
74
Young Women
48
Older Men
52
Older Women
26
Advocacy0
Entertainment

Audience Representation

LGBTQ+
0

Where to Watch (US)

Stream
Qello Concerts by Stingray Amazon ChannelQello Concerts by Stingray Amazon Channel
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Score version: v1Data confidence: 45%How are scores calculated?

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Advocacy Over Time in Music

The average advocacy score of Music titles by release year, with this title marked. Higher is more advocacy-driven.

25507519922023
Average advocacy score of Music titles by release year
YearAverage advocacyTitles
199202
199902
200405
200534
200804
201202
2023242
This title (2003)01

This title (2003): advocacy 0 · explore Music

Cast & Crew

John Durrant (director) · Russell Thomas (director)